Browsing by Subject "Avant-garde (Aesthetics)"
Now showing items 1-2 of 2
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(2010)Artikkelissa tarkastellaan sitä, kuinka varhaisen elokuvan esityskäytännöt sekä näihin elokuviin liitetty attraktioiden estetiikka toimivat Ken Jacobsin avantgarde-elokuvan klassikoihin kuuluvassa hybridielokuvassa Tom, Tom, the Piper’s Son (USA, 1969–1971). Analysoimalla Tom, Tom, the Piper’s Sonia elokuvahistoriallisten keskustelujen valossa artikkelissa rakennetaan siltaa varhaisen elokuvan tutkimuksen sekä avantgarde-elokuvista käytyjen keskustelun välille.
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(2013)The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich's application of the principle in poetry was called "image catalogue", a radical poetic experiment in the spirit of both Walt Whitman and Sergei Eisenstein. Mariengof's main contribution to the montage poetics was his first fictional novel The Cynics (1928). The article also discusses the Imaginists' writings on the essence of theatre as an autonomous art form - Shershenevich's activity in the OGT (Experimental Heroic Theatre) and Mariengof's participation in the work of the MKT (Moscow Kamerny Theatre).
