Mastering Kurenniemi’s Rules (2012): the role of the audio engineer in the mastering process

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dc.contributor University of Helsinki, Department of Philosophy, History, Culture and Art Studies 2010-2017 en
dc.contributor.author Ojanen, Mikko
dc.date.accessioned 2015-10-01T10:30:01Z
dc.date.available 2015-10-01T10:30:01Z
dc.date.issued 2015
dc.identifier.citation Ojanen , M 2015 , ' Mastering Kurenniemi’s Rules (2012): the role of the audio engineer in the mastering process ' , Journal on the Art of Record Production , no. 10 . https://doi.org/10.5281/zenodo.267974 en
dc.identifier.issn 1754-9892
dc.identifier.other PURE: 48985931
dc.identifier.other PURE UUID: 15140431-f776-4a8b-a9a5-b2c5f2c34474
dc.identifier.other ORCID: /0000-0002-7833-9659/work/31515352
dc.identifier.uri http://hdl.handle.net/10138/156940
dc.description.abstract In this paper the audio mastering process and the role of an audio engineer in this process are studied from two viewpoints. Firstly, the mastering engineer’s stance towards music technology is described with the concepts of aesthetic and technical use of technological artifacts as well as the intrinsic and extrinsic properties of the sound recording. Secondly, the relationship between the musical work and its medium is described through several examples encountered in the mastering process. fi
dc.language.iso eng
dc.relation.ispartof Journal on the Art of Record Production
dc.relation.uri http://arpjournal.com/mastering-kurenniemis-rules-2012-the-role-of-the-audio-engineer-in-the-mastering-process/
dc.relation.uri http://arpjournal.com/
dc.rights en
dc.subject 6131 Theatre, dance, music, other performing arts en
dc.title Mastering Kurenniemi’s Rules (2012): the role of the audio engineer in the mastering process en
dc.type Article
dc.description.version Peer reviewed
dc.identifier.doi https://doi.org/10.5281/zenodo.267974
dc.type.uri info:eu-repo/semantics/other
dc.type.uri info:eu-repo/semantics/publishedVersion
dc.contributor.pbl
dc.contributor.pbl

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