Browsing by Title

Sort by: Order: Results:

Now showing items 21-40 of 389
  • Lahelma, Antti (Suomen Muinaismuistoyhdistys r.y, 2008)
    Approximately 125 prehistoric rock paintings have been found in the modern territory of Finland. The paintings were done with red ochre and are almost without exception located on steep lakeshore cliffs associated with ancient water routes. Most of the sites are found in the central and eastern parts of the country, especially on the shores of Lakes Päijänne and Saimaa. Using shore displacement chronology, the art has been dated to ca. 5000 – 1500 BC. It was thus created mainly during the Stone Age and can be associated with the so-called ‘Comb Ware’ cultures of the Subneolithic period. The range of motifs is rather limited, consisting mainly of schematic depictions of stick-figure humans, elks, boats, handprints and geometric signs. Few paintings include any evidence of narrative scenes, making their interpretation a rather difficult task. In Finnish archaeological literature, the paintings have traditionally been associated with ’sympathetic’ hunting magic, or the belief that the ritual shooting of the painted animals would increase hunting luck. Some writers have also suggested totemistic and shamanistic readings of the art. This dissertation is a critical review of the interpretations offered of Finnish rock art and an exploration of the potentials of archaeological and ethnographic research in increasing our knowledge of its meaning. Methods used include ’formal’ approaches such as archaeological excavation, landscape analysis and the application of neuropsychological research to the study of rock art, as well as ethnographically ’informed’ approaches that make use of Saami and Baltic Finnish ethnohistorical sources in interpretation. In conclusion, it is argued that although North European hunter-gatherer rock art is often thought to lie beyond the reach of ‘informed’ knowledge, the exceptional continuity of prehistoric settlement in Finland validates the informed approach in the interpretation of Finnish rock paintings. The art can be confidently associated with shamanism of the kind still practiced by the Saami of Northern Fennoscandia in the historical period. Evidence of similar shamanistic practices, concepts and cosmology are also found in traditional Finnish-Karelian epic poetry. Previous readings of the art based on ‘hunting magic’ and totemism are rejected. Most of the paintings appear to depict experiences of falling into a trance, of shamanic metamorphosis and trance journeys, and of ‘spirit helper’ beings comparable to those employed by the Saami shaman (noaidi). As demonstrated by the results of an excavation at the rock painting of Valkeisaari, the painted cliffs themselves find a close parallel in the Saami cult of the 'sieidi', or sacred cliffs and boulders worshipped as expressing a supernatural power. Like the Saami, the prehistoric inhabitants of the Finnish Lake Region seem to have believed that certain cliffs were ’alive’ and inhabited by the spirit helpers of the shaman. The rock paintings can thus be associated with shamanic vision quests, and the making of ‘art’ with an effort to socialize the other members of the community, especially the ritual specialists, with trance visions. However, the paintings were not merely to be looked at. The red ochre handprints pressed on images of elks, as well as the fact that many paintings appear ’smeared’, indicate that they were also to be touched – perhaps in order to tap into the supernatural potency inherent in the cliff and in the paintings of spirit animals.
  • Biström, Anna Elisabeth (Helsingin yliopisto, 2015)
    Doing Authenticity. The Making of Eva Dahlgren in the Press and in Dahlgren's lyrics 1980-2000. The study analyses the "construction" - the produced images - of the popular Swedish singer-songwriter Eva Dahlgren (born 1960). A selection of Dahlgren's performed lyrics as well as press material from the beginning of her career (1980) to the year 2000 is examined. In this process, images are revealed not only of Eva Dahlgren, but also of authenticity, often through the image of Dahlgren as an authentic and unique author of her artistic work. Therefore the study not only offers new insight into Dahlgren's lyrics and musical career, but also contributes to scholarly discussions concerning authenticity and authorship, especially in rock culture. With female artists traditionally often excluded from the notions of authenticity and 'real' rock music, the study also discusses the place of women in rock culture. With contextualizing and thematic textual analysis as its main method, the study confirms that Dahlgren's career has been a constant quest for authenticity. The most interesting result, however, is that "the authentic" reveals itself in different, even contradictory ways. Dahlgren's variants of the authentic are not unique and can be interpreted in the context of traditional notions of authenticity in rock culture. What is more extraordinary, is that her versions of authenticity are mostly accepted and celebrated by rock journalists, despite the challenges she has encountered as a female artist trying to convince the audience of her genuineness. Although her artistic input is sometimes negotiated, for instance in relation to her former producer Anders Glenmark, she is often celebrated as a unique author, in control of her own work. Sometimes she is even pictured in ways that bring to mind the notion of the romantic genius. The fascination with authenticity can be interpreted in the light of issues concerning the "self " or "identity" in late modern culture of which Dahlgren and her listeners are a part. Although Dahlgren's work and the presentations of her in the press momentarily reveal the constructedness of the authentic and the (true) "self" , they strongly rely upon the notion of the self having a true essence.
  • Heikkilä, Martta (Helsingin yliopisto, 2007)
    This study investigates the significance of art in Jean-Luc Nancy s philosophy. I argue that the notion of art contributes to some of Nancy s central ontological ideas. Therefore, I consider art s importance in its own right whether art does have ontological significance, and if so, how one should describe this with respect to the theme of presentation. According to my central argument, with his thinking on art Nancy attempts to give one viewpoint to what is called the metaphysics of presence and to its deconstruction. On which grounds, as I propose, may one say that art is not reducible to philosophy? The thesis is divided into two main parts. The first part, Presentation as a Philosophical Theme, is a historical genesis of the central concepts associated with the birth of presentation in Nancy s philosophy. I examine this from the viewpoint of the differentiation between the ontological notions of presentation and representation by concentrating on the influence of Martin Heidegger and Jacques Derrida, as well as of Hegel and Kant. I give an overview of the way in which being or sense for Nancy is to be described as a coming-into-presence or presentation . Therefore, being takes place in its singular plurality. I argue that Nancy redevelops Heidegger s account of being in two principal ways: first, in rethinking the ontico-ontological difference, and secondly, by striving to radicalize the Heideggerian concept of Mitsein, being-with . I equally wish to show the importance of Derrida s notion of différance and its inherence in Nancy s questioning of being that rests on the unfoundedness of existence. The second part, From Ontology to Art, draws on the importance of art and the aesthetic. If, in Nancy, the question of art touches upon its own limit as the limit of nothingness, how is art able to open its own strangeness and our exposure to this strangeness? My aim is to investigate how Nancy s thinking on art finds its place within the conceptual realm of its inherent difference and interval. My central concern is the thought of originary ungroundedness and the plurality of art and of the arts. As for the question of the difference between art and philosophy, I wish to show that what differentiates art from thought is the fact that art exposes what is obvious but not apparent, if apparent is understood in the sense of givenness. As for art s ability to deconstruct Nancy s ontological notions, I suggest that in question in art is its original heterogeneity and diversity. Art is a matter of differing art occurs singularly, as a local difference. With this in mind, I point out that in reflecting on art in terms of spacing and interval, as a thinker of difference Nancy comes closer to Derrida and his idea of différance than to the structure of Heidegger s ontological difference.
  • Dominguez Moreno, Áurea (Helsingin yliopisto, 2013)
    This dissertation is a theoretical study of bassoon performance practice in the first half of the nineteenth century, analysing the temporal changes that took place in the different musical traditions of France, Germany and Britain. It emphasizes methodological problems inherent in historical performance studies in general, as well as those specifically related to nineteenth-century music, from the performer s point of view. Moreover, woodwind performance practice finds itself lagging behind keyboard or string instruments as a relevant research topic. The research is based on the analysis of bassoon performance practice from a double perspective, combining research on historical written sources with a practical experimentation and application of data on period instruments. As a result, the conclusions derived from the investigation have ample and immediate practical applications. The thesis theoretical framework is interdisciplinary, bringing together different questions on history and music theory. This research seeks to be a new approach to understanding bassoon performance practice, in this historical period and in its relationship with the present-day practice of nineteenth-century repertoire. Furthermore, by using the bassoon as a case study, the research gives some hints that may be used to understand performance practice in a wider context. The most important subject that gives structure to this thesis comes from what has been a constant presence in all historical sources. This is the concept of character as it is understood by arts in the early nineteenth century. Hence, character is used in the research to give unity to the analysis of the different parameters like tempo, articulation, ornamentation, and even the performance of repertoire in general. Therefore character lies at the core of the whole performance in this research. The conclusion of this thesis is based on research which shows that performance in the first half of the nineteenth century finds its balance between the influences of some baroque practice, and the germ of some ideas, marked by a positivist mentality, that will fully develop by the end of the century. Somehow, the bassoon like other woodwind instruments also finds itself in a similar position. It is undeniable, according to the data, that singing and its new techniques had a great influence as the main source of inspiration for every performer. However, the period studied witnesses a new trend whereby bassoonists start to look into how string players developed new features that become personal marks, especially, in virtuoso performance.
  • Parland-von Essen, Jessica (Helsingin yliopisto, 2005)
    By the end of the 18th century the daughters of the nobility in the northern parts of Europe received a quite different kind of education from their brothers. Although the cultural aims of the upbringing of girls were similar to that of boys, the practice of the raising of girls was less influenced by tradition. The education of boys was one of classical humanistic and military training, but the girls were more freely educated. The unity and exclusiveness of the culture of nobility were of great importance to the continued influence of this elite. The importance of education became even greater, partly because of the unstable political situation, and partly because of the changes the Enlightenment had caused in the perception of the human essence. The delicate and ambitious hônnete homme was expected to constantly strive to a greater perfection as a Christian. On the other hand, the great weight given to aesthetics - etiquette and taste - made individual variation of the contents of education possible. Education consisted mainly in aesthetic studies; girls studied music, dancing, fine arts, epistolary skills and also the art of polite conversation. On the other hand, there was a demand for enlightenment, and one often finds personal political and social ambitions, which made competition in all skills necessary for the daughters as well. Literary sources for the education of girls are Madame LePrince de Beaumont, Madame d'Epinay, Madame de Genlis and Charles Rollin. Other, perhaps even more important sources are the letters between parents and children and papers originating from studies. Diaries and memoirs also tell us about the practice of education in day to day life. The approach of this study is semiotic. It can be stated that the code of the culture was well hidden from the outsider. This was achieved, for instance, by the adaptation of the foreign French language and culture. The core of the culture consisted of texts which only thorough examples stated the norms which were expressed as good taste. Another important feature of the culture was its tendency towards theatricalisation. The way of life was dictated by taste, and moral values were included in the aesthetic norms through the constant striving for modesty. Pleasant manners were also correct in an ethical perspective. Morality could thus also be taught through etiquette.
  • Mäkinen, Martti (Helsingin yliopisto, 2006)
    This study reports a corpus-based study of medieval English herbals, which are texts conveying information on medicinal plants. Herbals belong to the medieval medical register. The study charts intertextual parallels within the medieval genre, and between herbals and other contemporary medical texts. It seeks to answer questions where and how herbal texts are linked to each other, and to other medical writing. The theoretical framework of the study draws on intertextuality and genre studies, manuscript studies, corpus linguistics, and multi-dimensional text analysis. The method combines qualitative and quantitative analyses of textual material from three historical special-language corpora of Middle and Early Modern English, one of which was compiled for the purposes of this study. The text material contains over 800,000 words of medical texts. The time span of the material is from c. 1330 to 1550. Text material is retrieved from the corpora by using plant name lists as search criteria. The raw data is filtered through qualitative analysis which produces input for the quantitative analysis, multi-dimensional scaling (MDS). In MDS, the textual space that parallel text passages form is observed, and the observations are explained by a qualitative analysis. This study concentrates on evidence of material and structural intertextuality. The analysis shows patterns of affinity between the texts of the herbal genre, and between herbals and other texts in the medical register. Herbals are most closely linked with recipe collections and regimens of health: they comprise over 95 per cent of the intertextual links between herbals and other medical writing. Links to surgical texts, or to specialised medical texts are very few. This can be explained by the history of the herbal genre: as herbals carry information on medical ingredients, herbs, they are relevant for genres that are related to pharmacological therapy. Conversely, herbals draw material from recipe collections in order to illustrate the medicinal properties of the herbs they describe. The study points out the close relationship between medical recipes and recipe-like passages in herbals (recipe paraphrases). The examples of recipe paraphrases show that they may have been perceived as indirect instruction. Keywords: medieval herbals, early English medicine, corpus linguistics, intertextuality, manuscript studies
  • Lassus, Jannika (Helsingin yliopisto, 2010)
    This thesis concerns Swedish and Finland-Swedish brochures to families with children, presenting family allowances from the social insurance institutions in the two countries. The aim of the study is to analyse what meanings are conveyed with reference to the conceivable reader and the institution in the brochures. The material consists of information brochures in Swedish from Kela, the social insurance institution of Finland, and Försäkringskassan, the Swedish social insurance agency, issued during 2003–2006. The general theoretical framework is systemic-functional linguistics (SFL) as presented by Halliday & Matthiessen (2004) and Holmberg & Karlsson (2006). The study consists of a quantitative study of the lexical choices of the social insurance brochures. Furthermore, a qualitative process and participant analysis is annotated with the UAM Corpus tool and the results are quantified. Speech functions and modal auxiliaries are analysed qualitatively. The analysis shows that material and relational processes are most common. The relational and verbal processes are used more in the Sweden-Swedish brochures, while the material processes are more common in the Finland-Swedish brochures. The participants in the brochures are the institution, mentioned by its name, and the conceivable reader, directly addressed with “you” (du). In addition, the referent “child” is often mentioned. The participants assigned for the reader are Actor, Receiver, Carrier and Speaker. In the Finland-Swedish texts, the reader is often an Actor, while the reader in the Sweden-Swedish texts is a Carrier. Thus, the conceivable reader is an active participant who takes care of his or her own matters using the internet, communicates actively to the institution and has legal rights and obligations. The institution is visible in the texts but does not have an active role as the name of the institution is mostly used in circumstances. The institution is not often a participant, but when it is, it is Actor, Receiver, Listener and Carrier, expecting the clients to address it. Speech functions are performed in different ways. For instance, questions structure the reading process and commands are realised by modal auxiliaries, not by imperatives. The most common modal auxiliary is kan (can, may), and another common auxiliary is ska (shall, must). Statements are surrounded by subordinate clauses and adverbs that describe situations and criteria. The results of the study suggest that the brochures in the two countries are similar, in particular when produced in similar ways, that is, when the Finland-Swedish texts are not translated. Existing differences reflect the differences in the institutions, the social insurance systems and the cultural contexts. KEYWORDS: Finland-Swedish, Swedish, comparative analysis, SFL, discourse analysis, administrative language, institutional discourse, institutional communication
  • Heikkilä, Mikko (Helsingin yliopisto, 2014)
    My academic dissertation "Bidrag till Fennoskandiens språkliga förhistoria i tid och rum" ("Spatiotemporal Contributions to the Linguistic Prehistory of Fennoscandia") is an interdisciplinary study of the linguistic prehistory of Northern Europe chiefly in the Iron Age (ca. 700 BC―AD 1200), but also to some extent in the Bronze Age (ca. 1700―700 BC) and the Early Finnish Middle Ages (ca. AD 1200―1323). The disciplines represented in this study are Germanistics, Nordistics, Finnougristics, history and archaeology. The language-forms studied are Proto-Germanic, Proto-Scandinavian, Proto-Finnic and Proto-Sami. This dissertation uses historical-comparative linguistics and especially loanword study to examine the relative and absolute chronology of the sound changes that have taken place in the proto-forms of the Germanic, Finnic and Samic languages. Phonetic history is the basis of historical linguistics studying the diachronic development of languages. To my knowledge, this study is the first in the history of the disciplines mentioned above to examine the systematic dating of the phonetic development of these proto-languages in relation to each other. In addition to the dating and relating of the phonetic development of the proto-languages, I study Fennoscandian toponyms. The oldest datable and etymologizable place-names throw new light on the ethnic history and history of settlement of Fennoscandia. For instance, I deal with the etymology of the following place-names: Ahvenanmaa/Åland, Eura(joki), Inari(järvi), Kemi(joki), Kvenland, Kymi(joki), Sarsa, Satakunta, Vanaja, Vantaa and Ähtäri. My dissertation shows that Proto-Germanic, Proto-Scandinavian, Proto-Finnic and Proto-Sami all date to different periods of the Iron Age. I argue that the present study along with my earlier published research also proves that a (West-)Uralic language – the pre-form of the Finnic and Samic languages – was spoken in the region of the present-day Finland in the Bronze Age, but not earlier than that. In the centuries before the Common Era, Proto-Sami was spoken in the whole region of what is now called Finland, excluding Lapland. At the beginning of the Common Era, Proto-Sami was spoken in the whole region of Finland, including Southern Finland, from where the Sami idiom first began to recede. An archaic (Northwest-)Indo-European language and a subsequently extinct Paleo-European language were likely spoken in what is now called Finland and Estonia, when the linguistic ancestors of the Finns and the Sami arrived in the eastern and northern Baltic Sea region from the Volga-Kama region probably at the beginning of the Bronze Age. For example, the names Suomi ʻFinlandʼ and Viro ʻEstoniaʼ are likely to have been borrowed from the Indo-European idiom in question. (Proto-)Germanic waves of influence have come from Scandinavia to Finland since the Bronze Age. A considerable part of the Finnic and Samic vocabulary is indeed Germanic loanwords of different ages which form strata in these languages. Besides mere etymological research, these numerous Germanic loanwords make it possible to relate to each other the temporal development of the language-forms that have been in contact with each other. That is what I have done in my extensive dissertation, which attempts to be both a detailed and a holistic treatise.
  • Vierros, Marja (2011)
    The impact of Greek-Egyptian bilingualism on language use and linguistic competence is the key issue in this dissertation. The language use in a corpus of 148 Greek notarial contracts is analyzed on phonological, morphological and syntactic levels. The texts were written by bilingual notaries (agoranomoi) in Upper Egypt in the later Hellenistic period. They present, for the most part, very good administrative Greek. On the other hand, their language contains variation and idiosyncrasies that were earlier condemned as ungrammatical and bad Greek, and were not subjected to closer analysis. In order to reach plausible explanations for those phenomena, a thorough research into the sociohistorical and linguistic context was needed before the linguistic analysis. The general linguistic landscape, the population pattern and the status and frequency of Greek literacy in Ptolemaic Egypt in general, and in Upper Egypt in particular, are presented. Through a detailed examination of the notaries themselves (their names, families and handwriting), it became evident that there were one to three persons at the notarial office writing under the signature of one notary. Often the documents under one notary's name were written in the same hand. We get, therefore, exceptionally close to studying idiolects in written material from antiquity. The qualitative linguistic analysis revealed that the notaries made relatively few orthographic mistakes that reflect the ongoing phonological changes and they mastered the morphological forms. The problems arose at the syntactic level, for example, with the pattern of agreement between the noun groups or a noun with its modifiers. The significant structural differences between Greek and Egyptian can be behind the innovative strategies used by some of the notaries. Moreover, certain syntactic structures were clearly transferred from the notaries first language, Egyptian. This is obvious in the relative clause structure. Transfer can be found in other structures, as well, although, we must not forget the influence of parallel Greek structures. Sometimes these can act simultaneously. The interesting linguistic strategies and transfer features come mostly from the hand of one notary, Hermias. Some other notaries show similar patterns, for example, Hermias' cousin, Ammonios. Hermias' texts reveal that he probably spoke Greek more than his predecessors. It is possible to conclude, then, that the notaries of the later generations were more fluently bilingual; their two languages were partly integrated in their minds as an interlanguage combining elements from both languages. The earlier notaries had the two languages functionally separated and they followed the standardized contract formulae more rigidly.
  • Jalava, Lotta (Helsingin yliopisto, 2015)
    The dissertation consists of four academic articles and an introductory chapter explaining the objectives, background and results of the study. It concentrates on the variation and change in predicate structures in Tundra Nenets, a Samoyedic (Uralic) language spoken in Siberia. The focus of the study is on the finite and non-finite forms and the concept of finiteness in grammatical change. The study investigates those grammatical categories that show variation in verbal and non-verbal predication or that are results of grammaticalization processes that include changes in non-finite verb forms. The topics of the articles are adjectival words, modal and evidential categories, and the essive-translative constructions in Tundra Nenets. The data consists of published texts in Tundra Nenets from different periods of time representing different genres, as well as fieldwork material recorded on the Taimyr Peninsula in 2011. The approach is functional typological, and the methodology combines synchronic linguistic description and diachronic explanation of the grammatical phenomena. The linguistic processes are analysed with relation to language use and context, and their development is explained with relation to the synchronic variation in the language and similar structural and functional paths of change in other languages. The findings of this study complement earlier research by suggesting mechanisms and paths of change for categories whose origin has been hypothesized in earlier studies. The results suggest that non-finite verb forms often serve as a basis for modal and evidential verb forms in Tundra Nenets, but they can also take part in grammaticalization processes that produce nominal categories, such as the essive-translative suffix. At the same time, the study provides syntactic analyses of lesser studied grammatical categories in Tundra Nenets. It also contributes to the more general discussion on finiteness and infiniteness as well as the division of main word classes in grammatical change.
  • Stenvall, Maija (Helsingin yliopisto, 2011)
    The thesis explores the discourse of two global news agencies, the Associated Press (AP) and Reuters, which together with the French AFP are generally regarded as the world s leading news distributors. A glance at the guidelines given by AP and Reuters to their journalists shows that these two news agencies make a lot of effort to strive for objectivity the well-known journalistic ideal, which, however, is an almost indefinable concept. In journalism textbooks definitions of objectivity often contain various components: detachment, nonpartisanship, facticity, balance, etc. AP and Reuters, too, in their guidelines, present several other ideals besides objectivity , viz., reliability, accuracy, balance, freedom from bias, precise sourcing, reporting the truth, and so on. Other central concepts connected to objectivity are neutrality and impartiality. However, objectivity is, undoubtedly, the term that is most often mentioned when the ethics of journalism is discussed, acting as a kind of umbrella term for several related journalistic ideals. It can even encompass the other concept that is relevant for this study, that of factuality. These two intertwined concepts are extremely complex; paradoxically, it is easier to show evidence of the lack of objectivity or factuality than of their existence. I argue that when journalists conform to the deep-rooted conventions of objective news reporting, facts may be blurred, and the language becomes vague and ambiguous. As global distributors of news, AP and Reuters have had an influential role in creating and reinforcing conventions of (at least English-language) news writing. These conventions can be seen to work at various levels of news reporting: the ideological (e.g., defining what is regarded as newsworthy, or who is responsible), structural (e.g., the well-known inverted pyramid model), and stylistic (e.g., presupposing that in hard news reports, the journalist s voice should be backgrounded). On the basis of my case studies, I have found four central conventions to be worthy of closer examination: the conventional structure of news reports, the importance of newsworthiness, the tactics of impersonalisation which tends to blur news actors responsibility, and the routines of presenting emotions. My linguistic analyses draw mainly on M.A.K. Halliday s Systemic Functional Grammar, on notions of transitivity, ergativity, nominalisation and grammatical metaphor. The Appraisal framework, too, has provided useful tools for my analyses. The thesis includes six case studies dealing with the following topics: metaphors in political reporting, terrorism discourse, terrorism fears, emotions more generally, unnamed sources as rhetorical constructs, and responsibility in the convention of attribution.
  • Salmi, Samuli (Helsingin yliopisto, 2012)
    This dissertation concentrates on a particular exemplification of the ideal of the unity of science in the history of twentieth-century philosophy. Taking Rudolf Carnap (1891--1970) as an exemplar of a scholar whose work in philosophy of science was at bottom motivated by the ideal of a unified conception of science, it attempts to distillate the essential characteristics and methodological significance of such a conception by a combination of historical and systematic analysis. Given the conspicuously holoscopic character of Carnap's philosophical orientation, there arises an interesting question about the relation of his work to that of other prominent ``seekers of the wider view'' in the history of philosophy (and history of science). On a more general level, we ask what kind of intellectual and moral characteristics are associated with a scholar who is motivated by the unification of science. Making it explicit: if a coherent conception of a unified conception of science is conceivable, what kind of normative criteria can then be applied to a scholar and his actions? In other words, what are the external and internal qualifications of scholar's vocation under the unified conception of science? In the first part of the dissertation we provide a general account of the problem's background in the intersection of intellectual history and systematics. In the first chapter main emphasis will be put to the dialectic between agent-based and structural explanations in historiography. The survey of a few exemplars of models of historical explanation is intended to provide a background framework for discussing the relation between descriptive analysis and analysis of values. In as much as our modern scientific world conception and the general, essentially human, consciousness of the domain of validity seem to be in a fundamental conflict, a philosophical clarification of the issues that depend on this fundamental distinction is contingent on having proper tools at its disposal. Indeed, it is necessary to acknowledge -- with respect to both scientific knowledge and moral positions -- that the issues of genesis and validity have little in common. Both the image of nature, built upon the masses of scientific and technological knowledge gathered, and the modern conceptions of the moral have developed in the course of history. The lesson that historicism can teach us is the possibility to adopt a symmetrical attitude with respect to the status of the questions of genesis and validity within these (very different) domains. This symmetric attitude enables us to see that the validity of a theory or position (in science or in moral philosophy) cannot depend on the diachronic aspects of its genesis. Rather, it is precisely the case that the late appearance of certain scientific theories and certain moral positions is an index that they are complex and presuppose a great deal genetically, and this is seen to be a common feature of all good theories. Thus, in order to approach the evolution of these ideas from a general perspective, we have to acknowledge their fundamental ontological difference and adopt a variety of tools to study these domains. I present four different approaches to the study of historical phenomena that appertain to the themes of this dissertation. In the second chapter we provide a synopsis of the important thematic about the relationship between morals and science. After a brief examination of the concepts of the moral and the scientific, we proceed to give an account of the concept of scientific self which acts as a kind of normative meta-concept co-ordinating the interaction between the epistemic and the ethical requirements appertaining to the education and professional formation of a scientist. From a historical perspective it is easy to to see that the intension of the concept of scientific self varies according to the contingent factors such as the external conditions of education and the requirements set by new experimental techniques, but the essential, axiologically relevant, internal determinates of the concept are seen to accumulate over time in a conservative manner. Especially interesting here are the determinates that can be traced back to the complementary intellectual traditions of Enlightenment and Romanticism. One of the most important exemplifications of an articulated conception of scientific self can be found in J. G. Fichte's ``Vorlesungen über die Bestimmung des Gelehrten'' of 1794. In these lectures Fichte develops a beautiful -- and still highly relevant -- conception of the true goals of a scholar as well as the qualifications he must fulfill to attain those goals. From Fichte we turn to study the history of one particular intellectual virtue that has direct relevance for the questions tackled in the second part of the dissertation, viz. tolerance. In the third chapter we focus on the importance of a priori knowledge for both ethics and science. These themes are developed only in their barest outlines in order to provide some theoretical support to the fundamental philosophical thesis of the dissertation concerning the distinction between Is and Ought, and its relevance for the question of the unity of science. We will briefly touch upon the question about the relationship of a priori and empirical knowledge in ethics, and provide a brief synopsis of the relevance of the distinction analytic/synthetic in this domain. Finally we address cursorily the ontologically crucial problem about the moral element in man and present -- with a view to the Enlightenment virtues -- a synopsis of the process of the dissociation of the concept of the moral from the concept of the scientific. We describe the characteristics of ethical impulse in modern times and the quite idiosyncratic view on morals and especially on moral justification advocated by the members of Vienna Circle. We will see how the dissociation of the moral from the domain of the rational discourse inevitably results in the philosophically poverished stance of moral non-cognitivism which Carnap maintained throughout his career. In the second part of the dissertation we can finally address the adduced problem in its particular ramifications in the philosophy of Rudolf Carnap. Given this general problematic, we attempt to vindicate the underlying overall motivation of Carnap's philosophy and to reconstruct the architectonic of Carnap's systematic thought in the light of recent research. One of the main tasks is to evaluate the coherence of interpretations provided in the research literature which place Carnap in the continuum of thinkers that are, in some sense, committed to the ideals and values of Enlightenment. The most explicit rendering of this line of thought is the recent monograph, Carnap and Twentieth-Century Thought, by A.W. Carus which puts Carnap's method of explication on center stage. I critically examine this line of interpretation indicated by Carus and explore more deeply its historical dimensions. Over and above the interpretation of Carus, we assess to what extent Carnap's philosophical program fulfills the criteria that are imposed upon it by the requirement of an Enlightenment conception of unified science. The central significance of logic and mathematics in Carnap's philosophical program is seen to derive from the fundamental conception of Carnap that within the total system of knowledge logic and mathematics are performing the essential role of supplying the forms of concepts, statements, and inferences, forms which are then applicable everywhere, hence also to non-logical knowledge. Therefore, the demarcation between logical and non-logical expressions, along with the Principle of Tolerance and logical pluralism, constitutes one of the central strands of Carnap's thought. Indeed, the Principle of Tolerance and the logicality criterion are seen to be two inextricably entwined aspects of a solution to a fundamental problem that Carnap searches a solution to and which characterizes his aspirations throughout the period under consideration here, i.e. the problem of the rationality of scientific discourse under the variability of linguistic systems of knowledge representation. I depict the overall development of Carnap's philosophy with this central idea continually in focus. As a supplement to the interpretation of Carnap's program as a concerted attempt to look for the fundamental invariants of thought and experience, I provide the view that a necessary condition for implementing his ideal of explication is a coherent formulation of what might be called the task of providing genealogies of important scientific concepts and ideas. This complies with the attractive account represented by Howard Stein about the two basic functions of philosophy, i.e., a distinction between ``the enterprise of knowledge'' and the ``enterprise of understanding''. It is argued here that an essential ingredient of Carnap's method of explication is a variety of philosophical history of science which provides the necessary insight into the problem complex one is tackling with under the purview of explication. Therefore, a significant role is bestowed upon historical knowledge and historiography. I attempt to accommodate this aspect of the ``enterprise of understanding'' within the more explicitly confined ``enterprise of knowledge'' that Carnap was overtly concerned with. However, it is argued that the ``enterprise of understanding'' constituted an equally important aspect of Carnap's philosophical program, although it remained covert in his publications.
  • Bauters, Merja (Helsingin yliopisto, 2007)
    The purpose of this study is to find a framework for a holistic approach to, and form a conceptual toolbox for, investigating changes in signs and in their interpretation. Charles S. Peirce s theory of signs in a communicative perspective is taken as a basis for the framework. The concern directing the study is the problem of a missing framework in analysing signs of visual artefacts from a holistic perspective as well as that of the missing conceptual tools. To discover the possibility of such a holistic approach to semiosic processes and to form a conceptual toolbox the following issues are discussed: i) how the many Objects with two aspects involved in Peirce s definition of sign-action, promote multiple semiosis arising from the same sign by the same Interpretant depending on the domination of the Objects; ii) in which way can the relation of the individual and society or group be made more apparent in the construction of the self since this construction is intertwined with the process of meaning-creation and interpretation; iii) how to account for the fundamental role of emotions in semiosis, and the relation of emotions with the often neglected topic of embodiment; iv) how to take into account the dynamic, mediating and processual nature of sign-action in analysing and understanding the changes in signs and in the interpretation of signs. An interdisciplinary approach is chosen for this dissertation. Concepts that developed within social psychology, developmental psychology, neurosciences and semiotics, are discussed. The common aspect of the approaches is that they in one way or another concentrate on mediation provided by signs in explaining human activity and cognition. The holistic approach and conceptual toolbox found are employed in a case study. This consists of an analysis of beer brands including a comparison of brands from two different cultures. It becomes clear that different theories and approaches have mutual affinities and do complement each other. In addition, the affinities in different disciplines somewhat provide credence to the various views. From the combined approach described, it becomes apparent that by the semiosic process, the emerging semiotic self intertwined with the Umwelt, including emotions, can be described. Seeing the interpretation and meaning-making through semiosis allows for the analysis of groups, taking into account the embodied and emotional component. It is concluded that emotions have a crucial role in all human activity, including so-called reflective thinking, and that emotions and embodiment should be consciously taken into account in analysing signs, the interpretation, and in changes of signs and interpretations from both the social and individual level. The analysis of the beer labels expresses well the intertwined nature of the relationship between signs, individual consumers and society. Many direct influences from society on the label design are found, and also some indirect attitude changes that become apparent from magazines, company reports, etc. In addition, the analysis brings up the issues of the unifying tendency of the visual artefacts of different cultures, but also demonstrates that the visual artefacts are able to hold the local signs and meanings, and sometimes are able to represent the local meanings although the signs have changed in the unifying process.
  • Virtanen, Pirjo Kristiina (Helsingin yliopisto, 2007)
    This thesis discusses the contemporary construction of the lived worlds of indigenous Amazonian youths. Today’s native peoples are considerably affected by the processes of globalization and urbanization, which have led to new ways of relating to their cultural traditions. This work presents a case study of Manchineri youngsters aged between 14 and 24 years old living in Acre state in Brazilian Amazonia. The Arawak-speaking Manchineri number some 1,000 people; their legally demarcated reserve is situated next to the River Yaco. The research is based on ethnographic material collected in the Mamoadate reserve and in the state capital, Rio Branco. By comparing the youth in different physical and social environments (the reserve and the city), my attempt has been to search for the most typical elements maintained, altered and created in the current lived worlds of Manchineri youths. Fieldwork methods included interviews, participant observation, photographs, video recordings, and drawings. The material was analyzed within the multidisciplinary framework of the social and cultural construction of knowledge. The study applies the concepts of social field, symbolic capital, and habitus as they have been used by Pierre Bourdieu; perspective as developed recently in Amazonian ethnology; the sacred as a cultural category as understood in the study of religion; and individual and person as concepts central to anthropology and sociology. Additionally, the study can be contextualized within youth studies, Latin American studies, and urban studies. The results of the study show that the everyday lives of young Amazonian native people are formed by a complex mixture of ‘modernity’ and ‘tradition’, fragmentation, and transitions between different conceptual frameworks. Part II discusses the ethnographic material in depth and shows that indigenous adolescents act from a variety of social perspectives: the native youth’s own ethnic group, divided into sub-groups, especially into urban residents and those living in the reserve; ancestors, super-human agents and spirits; other indigenous groups and non-natives. Consequently, besides the traditional initiation ritual, we find various contemporary rites of passage to adulthood: state-education, learning traditional practices, shamanism, matrimony, and transitions between the reserve and urban areas. According to these results, new social roles, political organization, responsibilities, and in general the desire to be respected, require both ‘modern’ and ‘traditional’ abilities. In Part III, the study shows that the current power relations constituted by new social contacts, ethnic recognition, and cooperation with different institutions have resulted in the formation of new social fields: youth cultures, the ethnic group, shamanic practices, the ethnopolitical movement, and indigenous students. The capacity of young Amazonian Indians to act in contemporary social fields produces them as full persons. The study also argues that the elements of the lived worlds can be divided into these social fields. When focusing on these fields, it became evident that these comprise the strategies adopted by young Indians to break through social and cultural barriers.
  • Jakovleva, Natalia (Helsingin yliopisto, 2012)
    This study is a historical and semantic description of the notion of the human document (document humain), borrowed by Russian critics from the literary theory of French Naturalism. To this day the term remains current in the Russian language in fictional and scholarly texts, mostly in the humanities. Becoming something of a cliché, however, it has lost its strict, narrow sense. This book details the evolution of the notion over the relatively long period of its existence. The term itself was invented by two French writers the Goncourt brothers, whose works were less known to Russian readers than, for instance, the ideas of Hyppolite Taine, where one could find semantically similar formulas. Meanwhile the texts of Emile Zola achieved particular popularity in Russia, and the human document played a key role in Zola s aesthetics, especially in his theory of the experimental novel . For Zola the human document rejected the ideology of Romanticism with its orientation on inventive and captivating fictions. It is a noteworthy fact that Zola s works devoted to the experimental novel were first published in Russian, since the French writer was collaborating with Russian periodicals. At the same time, similar expressions were wide spread in Russian critical discourse: for example, the prominent and influential critic Nikolay Mikhaylovsky oft en used synonyms like documents about the human, and one can find other derivatives like female document or Parisian document . On the other hand, Russian reception of Zola s declared interest in psychic physiology and human degradation was also negative, and in the end of the nineteenth century the human document acquired a range of pejorative connotations. As Naturalist theories were gradually becoming obsolete and disappearing, the term s semantic associations were markedly transformed. The 1910s were a crucial period in its history. Although one can find the term in the texts of Russian Naturalists like the prolific writer Aleksandr Amfiteatrov, it was no longer strictly connected with this aesthetical and intellectual tradition. Displaced and half-forgotten, human document appears in the contexts of women s literature , memoirs, and even autobiographies about the 1905 revolution. Now it was associated with different documentary genres, such as diaries and confessions, as with the literary strategy of frank or true expression. This suggests that the term was becoming a part of the rhetoric of anti-literature . As a result, the positive ideal of frank testimony was combined with psychic physiology s negative associations, and this ambiguity allowed the application of the term to a certain set of specific subjects. For example, it was connected with the marginal hero of the age , i.e. the time of decadence and social decline (the revolutionary, the scoundrel, the cynic, and so on). The 1920s and 1930s were the heyday of the human document . The term was rarely used in early Soviet literature but flourished among Russian emigre writers. Thanks to the older generation, who actively took part in pre-revolutionary literary discussions, this cliche gradually returned to the pages of émigré periodicals. In the 1930s, as in Zola s time, it assumed the form of a literary manifesto and united different circles of young Russian writers, mostly in France. Human document became a keyword in the famous discussion between two prominent figures of the Paris emigration, Vladislav Khodasevich and Georgy Adamovich, who considered the goal of a new literature to be the return to raw, frank self-expression. This new development in the history of the term was partly supported by the interest of contemporary French writers like Louis-Ferdinand Celine in naturalistic literary devices. In this period human document became a kind of synonym for a certain sort of poetry which was called the Parisian note . It is not unusual that this cliché sometimes appeared in Soviet criticism as a means of describing and then belittling émigré literature. It arose in the mid-1960s, probably after the polemics about frankness in literature and then was borrowed by literary scholar Lydia Ginzburg, who worked on the history of documentary genres in Russian literature.
  • Lantto, Hanna (Helsingin yliopisto, 2015)
    This doctoral dissertation examines the role of code-switching between Basque and Spanish linguistic elements in the metropolitan area of Greater Bilbao in the Basque Country. The study consists of four articles and a compilation article. The articles examine bilingual speech from different points of view: variation in grammatical code-switching patterns, the role of swearing, slang and code-switching in constructing an informal register of Basque, language ideologies that discourage and encourage code-switching, and conventionalization of semantic-pragmatic code-switching patterns. The Basque context of language revitalization has created new divisions between speakers, as the formerly unidirectional bilingualism has turned into a situation where great numbers of Spanish speakers are learning Basque in adult acquisition programs or in Basque-medium education. Basque is still, however, a minority language in the Greater Bilbao area and the bilingual Basque speakers live scattered among the monolingual majority. The effect of these social structures on linguistic structures is examined in two sets of data that were collected for the purposes of this study. For the first set of data, 22 hours of naturally occurring peer-group conversations with 22 Basque-Spanish bilinguals were recorded, while the second set consists of 12 hours of metalinguistic conversations with 47 bilingual Basques. The speakers use their bilingual repertoire in numerous creative and dynamic ways. Yet some tendencies can be detected. Colloquial Basque in Bilbao is a bilingual speech style that always includes some code-switching to Spanish. There is considerable variation in the individuals code-switching patterns. Some of the informants, particularly L1-speakers of Basque, use very intensive and syntactically intrusive code-switching, whereas others, especially L2-speakers of Basque, only engage in syntactically peripheral code-switching, such as Spanish interjections, discourse markers and tags. The L2-speakers purist tendencies seem to have two sources: firstly, the normative setting of acquisition where language mixing is discouraged, and secondly, the general interpretation of new speakers code-switching as lack of proficiency in the minority language. Some Spanish elements have become conventionalized throughout the speech community as the default option. All informants use Spanish discourse markers, and swear words and colloquialisms are always introduced in Spanish in otherwise Basque speech. Spanish discourse markers seem to have been automatized as conversational routines, whereas Spanish swear words and colloquialisms have become conventionalized because of the domains they are associated with, and because of the lack of these stylistic categories in standard Basque.
  • Peltola, Rea (Helsingin yliopisto, 2011)
    Modal cohesion and subordination. The Finnish conditional and jussive moods in comparison to the French subjunctive This study examines verb moods in subordinate clauses in French and Finnish. The first part of the analysis deals with the syntax and semantics of the French subjunctive, mood occurring mostly in subordinate positions. The second part investigates Finnish verb moods. Although subordinate positions in Finnish grammar have no special finite verb form, certain uses of Finnish verb moods have been compared to those of subjunctives and conjunctives in other languages. The present study focuses on the subordinate uses of the Finnish conditional and jussive (i.e. the third person singular and plural of the imperative mood). The third part of the analysis discusses the functions of subordinate moods in contexts beyond complex sentences. The data used for the analysis include 1834 complex sentences gathered from newspapers, online discussion groups and blog texts, as well as audio-recorded interviews and conversations. The data thus consist of both written and oral texts as well as standard and non-standard variants. The analysis shows that the French subjunctive codes theoretical modality. The subjunctive does not determine the temporal and modal meaning of the event, but displays the event as virtual. In a complex sentence, the main clause determines the temporal and modal space within which the event coded by the subjunctive clause is interpreted. The subjunctive explicitly indicates that the space constructed in the main clause extends its scope over the subordinate clause. The subjunctive can therefore serve as a means for creating modal cohesion in the discourse. The Finnish conditional shares the function of making explicit the modal link between the components of a complex construction with the French subjunctive, but the two moods differ in their semantics. The conditional codes future time and can therefore occur only in non-factual or counterfactual contexts, whereas the event expressed by French subjunctive clauses can also be interpreted as realized. Such is the case when, for instance, generic and habitual meaning is involved. The Finnish jussive mood is used in a relatively limited number of subordinate clause types, but in these contexts its modal meaning is strikingly close to that of the French subjunctive. The permissive meaning, typical of the jussive in main clause positions, is modified in complex sentences so that it entails inter-clausal relation, namely concession. Like the French subjunctive, the jussive codes theoretical modal meaning with no implication of the truth value of the proposition. Finally, the analysis shows that verb moods mark modal cohesion, not only on the syntagmatic level (namely in complexe sentences), but also on the paradigmatic axis of discourse in order to create semantic links over entire segments of talk. In this study, the subjunctive thus appears, not as an empty category without function, as it is sometimes described, but as an open form that conveys the temporal and modal meanings emerging from the context.
  • von Bonsdorff, Anna-Maria (Helsingin yliopisto, 2012)
    This study proposes a point of departure for the study of images which in Finnish art history have tended be read as an expression of style, ideas or movements toward a study of a specific palette and the two-colour practices at the turn of the twentieth century. I am adapting the notion of painting as a deposit of a colour consciousness in a specific turn-of-the-twentieth century context. The focus of my investigation is on Finnish and European artists who used the new colour concepts, colour ascetism and synthetist colour in their paintings. As my examples I have chosen the Finnish artists Väinö Blomstedt, Magnus Enckell, Axel Gallén, Pekka Halonen, Eero Järnefelt, Helene Schjerfbeck and Ellen Thesleff. Thus, explaining these painters use of ascetic or synthetist palettes must take into consideration a much larger context and time span. In discussing these concepts of colour, and to illustrate the long tradition of colour ascetism, I will draw on such precursors as Eugène Carrière, Édouard Manet, Pierre Puvis de Chavannes and James McNeill Whistler. These artists and their personal palettes were important, not only to Finnish, but also to many artists around the turn of the twentieth century. Although considered artists of the modern period, they looked to the past for their inspiration on a restricted palette: Spanish art, Rembrandt, Frans Hals and Early Renaissance were among the sources of art as they were the inspiration for Finnish artists too in the 1890s. They all developed their personified ascetic palette. It is my intention to show that acromatic art and anti-colourism is a much broader and more significant phenomenon in western art than has hitherto been believed. The muted, restrained, ascetic colours were the key element in depicting modern melancholy, silence, inwardness and harmony in painting. For synthetist colour I will present Paul Gauguin and his followers Paul Sérusier, Jan Verkade and Maurice Denis who have now be studied from the point of establishing a synthetist colour practice of tertiary close-tones which differs from the use of pure colours. Finnish artists who explored the synthetist colour range are Blomstedt, Gallén and Järnefelt. Synthetist colour was used to enhance the non-mimetic effect, the surnaturelle, which was to be the expressive force in painting. The key words for synthetist colour are vision, dynamism, primitive, emotion, sensation and dream image. During this period in Finnish art ascetic and synthetist colour can be seen as parallel colour practices away from the mimetic range. The adoption of these new palette practices also brought innovations in painting and in the use of different mediums such as tempera and gouache. The time of traditional oil painting was changing. This colour-conscious art was created to present new content. This study offers two new colour concepts and new readings of nineteenth-century art, assessing the wider resonances of artists debates on colour and medium as they tested the limits of painting as a new language of colour .