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  • Silvennoinen, Oula (Otava, 2008)
    Salaiset aseveljet deals with the relations and co-operation between Finnish and German security police authorities, the Finnish valtiollinen poliisi and the German Reichssicherheitshauptamt (RSHA) and its predecessors. The timeframe for the research stretches from the Nazi seizure of power in 1933 to the end of German-Finnish co-belligerency in 1944. The Finnish Security Police was founded in 1919 to protect the young Finnish Republic from the Communists both in Finland and in Soviet Russia. Professional ties to German colleagues were maintained during the 1920 s, and quickly re-established after the Nazis rose to power in Germany. Typical forms of co-operation concentrated on the fight against both domestic and international Communism, a concern particularly acute in Finland because of her exposed position as a neighbour to the Soviet Union. The common enemy proved to be a powerful unifying concept. During the 1930 s the forms of co-operation developed from regular and routine exchanges of information into personal acquaintancies between the Finnish Security Police top personnel and the highest SS-leadership. The critical period of German-Finnish security police co-operation began in 1941, as Finland joined the German assault on the Soviet Union. Together with the Finnish Security Police, the RSHA set up a previously unknown special unit, the Einsatzkommando Finnland, entrusted with the destruction of the perceived ideological and racial enemies on the northernmost part of the German Eastern Front. Joint actions in northern Finland led also members of the Finnish Security Police to become participants in mass murders of Communists and Jews. Post-war criminal investigations into war crimes cases involving former security police personnel were invariably stymied because of the absence of usually both the suspects and the evidence. In my research I have sought to combine the evidence gathered through an exhaustive study of Finnish Security Police archival material with a wide selection of foreign sources. Important new evidence has been gathered from archives in Germany, Estonia, Latvia, Sweden and the United States. Piece by piece, it has become possible to draw a comprehensive picture of the ultimately fateful relationship of the Finnish Security Police to its mighty German colleague.
  • Stepanova, Eila (Suomen Kansantietouden Tutkijain Seura, 2014)
    This thesis concentrates on the lament genre of Karelian oral poetry and the speech register distinctive of it. Laments can be defined as sung poetry of varying degrees of improvisation, which nonetheless follows conventionalized rules of traditional verbal and non-verbal expression, most often performed by women in ritual contexts and potentially also on non-ritual grievous occasions. The study focuses on the Seesjärvi region (Republic of Karelia, Russian Federation), with a corpus of 446 documented laments from 58 lamenters. Of these laments, one was recorded in 1871, and the rest during the period 1937-2007. The approach to this topic differs from previous research in two significant ways. First, emphasis is placed on the lamenters who used this poetry, how they understood it and used it both socially and also individually. Second, the study employs a theoretical and analytical framework that was not used in earlier research. This framework makes it possible to look closely at the use of laments by individual lamenters in practice and also at the genre, its speech register s potential to produce and communicate meanings as well as knowledge and understandings about the mythic world. This is done by triangulating three interrelated aspects of the tradition. These are the lament register, which is made up of the language, grammar, poetics and performance features of the genre; the lament themes and compositional structures; and the mythic conceptions of laments, which are forms of knowledge and understanding of the unseen world that are actualized and communicated through lament performance. Interaction is fundamental to the lament tradition. The lament register was, first and foremost, a ritual variety of language with an exceptional capacity for honorific interaction with unseen powers in the otherworld. It was also a resource for moderating and mediating individual as well as communal expressions of grief. The register and genre of laments is internalized and developed on the basis of individual experience. Consequently, each lamenter develops her own unique variation of the register or idiolect, with corresponding understandings of themes as integers of tradition and also of the mythic knowledge with which these are all linked. This is a fundamental aspect of the tradition which gives each lamenter the potential to influence others as they internalize the tradition as a social process. In other words, the tradition was not based on petrified models, but rather on models which continuously develop within the interaction between people in different situations.
  • Rahtu, Toini (Suomalaisen Kirjallisuuden Seura, 2006)
    The interpretation of irony in this study is seen as being crucially dependent on the notion of coherence. Coherence depends on a complex interplay of contextual features, which is why all interpretations must be seen as socio-cultural processes. An utterance is perceived as coherent if it makes sense and if it hangs together. Incoherent utterances can result in an ironic interpretation; however, the incoherence must also be perceived as being intentional, and intentionality in turn is a sign of the ironist's rejecting stance. The study does not encompass the notion of irony of fate nor situational irony that is unintentional. Irony is defined in this study as a combination of five components. It is seen as (1) a negative attitude that reflects (2) the intention of the ironist, and (3) has a target and most often (4) a victim too. Essential to irony is its fifth component, the fact that one or more of these four components must be inferred from co- or context. The componential definition of irony is crucial in deciding whether an interpretation is ironic or not, and the definition makes it possible to discern the differences as well as the similarities between different kinds of irony. The method of the study is experimental: 12 Finnish newspaper texts that could be considered to be ironic were interpreted by 107 informants. The interpretation of one of the texts was based on unelicited feedback given by readers of a weekly magazine. The responses were analyzed to determine (a) whether the texts were perceived as being coherent or incoherent and (b) whether the informants appealed to any of the five components of irony. The results of the analyses of the informants' responses indicate that differences between the ironic and non-ironic interpretations of the texts can be explained in terms of whether or not the informant regarded the text as being coherent. The thesis also discusses the shortcomings of other accounts of irony: the Gricean theory of conversational implicature, speech act theory, irony as rhetoric, irony as pretense, irony as echoic mention, and irony as framing. In contrast to these other accounts, the study focuses on irony as a textual phenomenon and underlines the importance of socio-cultural context in the interpretation of irony. Key words: irony, coherence, incoherence, the componential definition of irony, interpretation of linguistic utterances.
  • Tolonen, Mikko (2010)
    This work offers a novel interpretation of David Hume’s (1711–1776) conception of the conjectural development of civil society and artificial moral institutions. It focuses on the social elements of Hume’s Treatise of human nature (1739–40) and the necessary connection between science of man and politeness, civilised monarchies, social distance and hierarchical structure of civil society. The study incorporates aspects of intellectual history, history of philosophy and book history. In order to understand David Hume’s thinking, the intellectual development of Bernard Mandeville (1670–1733) needs to be accounted for. When put into a historical perspective, the moral, political and social components of Treatise of human nature can be read in the context of a philosophical tradition, in which Mandeville plays a pivotal role. A distinctive character of Mandeville and Hume’s account of human nature and moral institutions was the introduction of a simple distinction between self-love and self-liking. The symmetric passions of self-interest and pride can only be controlled by the corresponding moral institutions. This is also the way in which we can say that moral institutions are drawn from human nature. In the case of self-love or self-interest, the corresponding moral institution is justice. Respectively, concerning self-liking or pride the moral institution is politeness. There is an explicit analogy between these moral institutions. If we do not understand this analogy, we do not understand the nature of either justice or politeness. The present work is divided into two parts. In the first part, ‘Intellectual development of Bernard Mandeville’, it is argued that the relevance of the paradigmatic change in Mandeville’s thinking has been missed. It draws a picture of Mandeville turning from the Hobbism of The Fable of the Bees to an original theory of civil society put forward in his later works. In order to make this change more apparent, Mandeville’s career and the publishing history of The Fable of the Bees are examined comprehensively. This interpretation, based partly on previously unknown sources, challenges F. B. Kaye’s influential decision to publish the two parts of The Fable of the Bees as a uniform work of two volumes. The main relevance, however, of the ‘Intellectual development of Mandeville’ is to function as the context for the young Hume. The second part of the work, ‘David Hume and Greatness of mind’, explores in philosophical detail the social theory of the Treatise and politics and the science of man in his Essays. This part will also reveal the relevance of Greatness of mind as a general concept for David Hume’s moral and political philosophy.
  • Kupari, Helena (2015)
    This study examines the lived religion of elderly Finnish Orthodox Christian women in present-day Finland. It discusses the women s everyday religious practice within the domestic environment. Furthermore, it also traces the ways in which their religion had been affected by their life histories, the changing status of the Orthodox community, and the modernization of Finnish society in the course of the 20th century. The primary research material for this study consists of interviews of 24 women. Finland is a Lutheran-dominated country; today, about one percent of Finns belong to the Orthodox Church. Traditionally, most of the Orthodox resided in Finnish Karelia. After the Second World War, Finland had to cede large areas of Karelia to the Soviet Union. In the process, two thirds of the Finnish Orthodox lost their homelands. All the interviewees, or their parents, had been among the evacuees from Karelia. The theoretical-methodological approach made use of in the study is based on practice theory. In particular, the concept of habitus as developed by the sociologist Pierre Bourdieu is applied to analyze the women s interview accounts. The concept captures Bourdieu s understanding of the reciprocal dynamic between practice, subjectivity, and structures of power. The analysis demonstrates that the interviewees religion was characterized by a movement between routine and reflexive action. Judging from the material, they mostly did religion in a habitual fashion. Nevertheless, they could also perform their practices more intentionally, to reinforce their identity against specific others. These two aspects of the women s religion are traced, respectively, to their childhood religious socialization and their social trajectories as minority religious practitioners in Finnish society. Ultimately, the analysis forms an account of the women s religion as habitus. The informants religious habitus constituted an embodied and practical sense of religion, which informed both their routine religious practices and more conscious and creative religious actions. This study provides a description and a theoretical representation of one particular style of contemporary religiosity: the lifelong religion of older lay women. Within recent scholarship on religion, the religion of women of the inter-war generation has not received much attention. This study, moreover, offers a reading of Bourdieuan social theory as applied to the lived religion of minority practitioners. As such, it illustrates the explanatory potential that a Bourdieuan approach can bring to analyses of relatively stable religion.
  • Stepien, Wojciech (Greif, 2010)
    The subject of doctoral thesis is the analysis and interpretation of instrumental pieces composed by Einojuhani Rautavaara (b. 1928) that have been given angelic titles: Archangel Michael Fighting the Antichrist from the suite Icons (1955)/Before the Icons (2006), Angels and Visitations (1978), the Double Bass Concerto Angel of Dusk (1980), Playgrounds for Angels (1981)and the Seventh Symphony Angel of Light (1994). The aim of the work is to find those musical elements common to these pieces that distinguish them from Rautavaara s other works and to determine if they could be thought of as a series. I prove that behind the common elements and titles stands the same extramusical idea the figure of an angel that the composer has described in his commentaries. The thesis is divided into three parts. Since all of the compositions possess titles that refer to the spiritual symbol of an angel, the first part offers a theoretical background to demonstrate the significant role played by angels in various religions and beliefs, and the means by which music has attempted to represent this symbol throughout history. This background traces also Rautavaara s aesthetic attitude as a spiritual composer whose output can be studied with reference to his extramusical interests including literature, psychology, painting, philosophy and myths. The second part focuses on the analysis of the instrumental compositions with angelic titles, without giving consideration to their commentaries and titles. The analyses concentrate in particular on those musical features that distinguish these pieces from Rautavaara s other compositions. In the third part these musical features are interpreted as symbols of the angel through comparison with vocal and instrumental pieces which contain references to the character of an angel, structures of mythical narration, special musical expressions, use of instruments and aspects of brightness. Finally I explore the composer s interpretative codes, drawing on Rilke s cycle of poems Ten Duino Elegies and Jung s theory of archetypes, and analyze the instrumental pieces with angelic titles in the light of the theory of musical ekphrasis.
  • Aaltonen, Susanna (Taidehistorian seura - Föreningen för konsthistoria ry, 2010)
    "Interior Design is Like Handwriting." Carin Bryggman and Lasse Ollinkari as Interior Designers in the 1940s and 1950s My dissertation deals with the emergence of the interior designer's profession in Finland with focus on the 1940s and 1950s, the postwar years of reconstruction and modernism, as the historical context. The topic is addressed at both the collective and individual levels. Specific subjects of study are the training of interior designers (also known as interior architects), the association of Finnish interior architects (Sisustusarkkitehdit SIO), the professional field and its public image and two leading designers, Carin Bryggman (1920 1993) and Lasse Ollinkari (1921 1993). Though respected figures within the field, Bryggman and Ollinkari have otherwise remained little known and studied. My study presents a great deal of new empiria. The main materials consist of the documents of related institutions and the archives of Bryggman and Ollinkari, in which drawings and photographs figure prominently. The drawings illustrate in a new way the variety of professional tasks in the field. My results are also based on a large body of interviewed material. The materials are approached from two theoretical perspectives, with gender and margins as core concepts from the perspective of women's studies. The even gender division of Finnish interior designers revealed a difference with regard to neighbouring occupations and other countries. I claim that the division of tasks was not defined by gender. The second theoretical basis is the sociological study of professions. The high professional status achieved by interior designers is shown by the fact that of the many related titles in Finnish and Swedish, such as "furniture draughtsman" or "interior artist", interior architect became the established one, despite opposition from architects. My hypothesis that the professionalization of interior designers took place during the two postwar decades proved to be correct. The profession emerged through specialized education and became established with the founding of its own professional organization. From the outset, the goal was to mark a distinction between professionals of interior and furniture design and other designers and architects. Interior designers became a strong and successful modern professional group, involved in a wide range of projects from objects to interiors. Keywords: interior designers, interior architects, interior art, occupations, gender, professions, interior design, furniture, home, public space, Carin Bryggman, Lasse Ollinkari, the Sisustusarkkitehdit SIO association, 1940s and 1950s, reconstruction, modernism.
  • Paananen-Porkka, Minna Marketta (Yliopistopaino, 2007)
    Speech rhythm is an essential part of speech processing. It is the outcome of the workings of a combination of linguistic and non-linguistic parameters, many of which also have other functions in speech. This study focusses on the acoustic and auditive realization of two linguistic parameters of rhythm: (1) sentence stress, and (2) speech rate and pausing. The aim was to find out how well Finnish comprehensive school pupils realize these two parameters in English and how native speakers of English react to Finnish pupils English rhythm. The material was elicited by means of a story-telling task and questionnaires. Three female and three male pupils representing different levels of oral skills in English were selected as the experimental group. The control group consisted of two female and two male native speakers of English. The stories were analysed acoustically and auditorily with respect to interstress intervals, weak forms, fundamental frequency, pausing, and speech as well as articulation rate. In addition, 52 native speakers of English were asked to rate the intelligibility of the Finnish pupils English with respect to speech rhythm and give their attitudes on what the pupils sounded like. Results showed that Finnish pupils can produce isochronous interstress intervals in English, but that too large a proportion of these intervals contain pauses. A closer analysis of the pauses revealed that Finnish pupils pause too frequently and in inappropriate places when they speak English. Frequent pausing was also found to cause slow speech rates. The findings of the fundamental frequency (F0) measurements indicate that Finnish pupils tend to make a slightly narrower F0 difference between stressed and unstressed syllables than the native speakers of English. Furthermore, Finnish pupils appear to know how to reduce the duration and quality of unstressed sounds, but they fail to do it frequently enough. Native listeners gave lower intelligibility and attitude scores to pupils with more anomalous speech rhythm. Finnish pupils rhythm anomalies seemed to derive from various learning- or learner-related factors rather than from the differences between English and Finnish. This study demonstrates that pausing may be a more important component of English speech rhythm than sentence stress as far as Finnish adolescents are concerned and that interlanguage development is affected by various factors and characterised by jumps or periods of stasis. Other theoretical, methodological and pedagogical implications of the results are also discussed.
  • Talja, Suvi (Helsingin yliopisto, 2014)
    Sport, Recreation and Space in Urban Policy: Helsinki and Dublin from the 1940s to the 1980s This study analyses the development of sport and recreation facilities in Helsinki and Dublin. The period of the study, from the end of the Second World War until the 1980s, was an era of rapid urbanisation and modernisation in both Finnish and Irish societies, with 1960s and 1970s being the watershed decades. This is a comparative study combining perspectives from the fields of urban and sport history. Particular focus is given on the actions of the municipal authorities of the Helsinki City, and those of the Dublin County Borough and Dublin County. However, the development of sport and recreation facilities is not only looked at through the planning and urban policy framework, but the evolution of sport and recreation cultures is incorporated in the study. The primary sources analysed in this study comprise official local authority minutes and reports, urban plans, surveys, and to some extent national level documents. In addition, this study uses professional publications, magazines and newspapers, as well as histories and archival materials produced by sports associations. Whereas postwar urbanisation and suburbanisation as well as the development of associational sports and more unorganised recreation are topics that have attracted historical research, studies combining these aspects and setting them in a comparative framework are less common. This is particularly the case in Dublin. This study argues that although leisure and sporting trends increasingly converged during this period in Helsinki and Dublin, urban policies towards these issues remained different. Planners and professionals in both cities were influenced by wider international models, but in the realisation of facilities, differences in local authority resources and in how public authorities saw their role in the sphere of sport and recreation, played equally significant role. In Helsinki, the role of the local authority became particularly influential in planning and financing urban sport facilities, whereas in Dublin, there remained a stronger continuity from the earlier late nineteenth century and early twentieth century situation where private and voluntary actors were the prominent providers of facilities. Local authorities in Dublin focused predominantly on local authority housing areas, and were more dependent on national level funding schemes. In particular, this was evident in indoor facilities. In Helsinki, there was a stronger ideal of planning sport facilities for all. There were also differences in how knowledge of participation in sport and recreation was produced. Through the detailed case studies this study unravelled the complex nature of patterns of actors involved. The strong municipal policies in Helsinki were influenced by private interests, and the municipality was involved in private projects. In Dublin, these connections remained less institutionalised, and private investors and voluntary actors remained more independent when providing indoor and outdoor facilities.
  • Jouko, Petteri (Edita, 2007)
    This study analyses British military planning and actions during the Suez Crisis in 1956. It seeks to find military reasons for the change of concepts during the planning and compares these reasons with the tactical doctrines of the time. The thesis takes extensive advantage of military documents preserved in the National Archives, London. In order to expand the understanding of the exchange of views during the planning process, the private papers of high ranking military officials have also been consulted. French military documents preserved in the Service Historique de la Defence, Paris, have provided an important point of comparison. The Suez Crisis caught the British armed forces in the middle of a transition phase. The main objective of the armed forces was to establish a credible deterrence against the Soviet Union. However, due to overseas commitments the Middle East playing a paramount role because of its economic importance the armed forces were compelled to also prepare for Limited War and the Cold War. The armed forces were not fully prepared to meet this demand. The Middle Eastern garrison was being re-organised after the withdrawal from the Canal Base and the concept for a strategic reserve was unimplemented. The tactical doctrines of the time were based on experiences from the Second World War. As a result, the British view of amphibious operations and the subsequent campaigns emphasised careful planning, mastery of the sea and the air, sufficient superiority in numbers and firepower, centralised command and extensive administrative preparations. The British military had realized that Nasser could nationalise the Suez Canal and prepared an outline plan to meet this contingency. Although the plan was nothing more than a concept, it was accepted as a basis for further planning when the Canal was nationalised at the end of July. This plan was short-lived. The nominated Task Force Commanders shifted the landing site from Port Said to Alexandria because it enabled faster expansion of the bridgehead. In addition, further operations towards Cairo the hub of Nasser s power would be easier to conduct. The operational concept can be described as being traditional and was in accordance with the amphibious warfare doctrine. This plan was completely changed at the beginning of September. Apparently, General Charles Keightley, the Commander-in-Chief, and the Chairman of the Chiefs of Staff Committee developed the idea of prolonged aerial operations. The essence of the concept was to break the Egyptian will to resist by attacking the oil facilities, the transportation system and the armed forces. This victory through air concept would be supported by carefully planned psychological operations. This concept was in accordance with the Royal Air Force doctrine, which promoted a bomber offensive against selected target categories. General Keightley s plan was accepted despite suspicions at every planning level. The Joint Planning Staff and the Task Force Commanders opposed the concept from the beginning to the end because of its unpredictability. There was no information that suggested the bombing would persuade the Egyptians to submit. This problem was worsened by the fact that British intelligence was unable to provide reliable strategic information. The Task Force Commanders, who were responsible for the tactical plans, were not able to change Keightley s mind, but the concept was expanded to include a traditional amphibious assault on Port Said due to their resistance. The bombing campaign was never tested as the Royal Air Force was denied authorisation to destroy the transportation and oil targets. The Chiefs of Staff and General Keightley were too slow to realise that the execution of the plan depended on the determination of the Prime Minister. However, poor health, a lack of American and domestic support and the indecisiveness of the military had ruined Eden s resolve. In the end, a very traditional amphibious assault, which was bound to succeed at the tactical level but fail at the strategic level, was launched against Port Said.
  • Kuningas, Johanna (Yleisen kielitieteen laitos, 2008)
    Information structure and Kabyle constructions Three sentence types in the Construction Grammar framework The study examines three Kabyle sentence types and their variants. These sentence types have been chosen because they code the same state of affairs but have different syntactic structures. The sentence types are Dislocated sentence, Cleft sentence, and Canonical sentence. I argue first that a proper description of these sentence types should include information structure and, second, that a description which takes into account information structure is possible in the Construction Grammar framework. The study thus constitutes a testing ground for Construction Grammar for its applicability to a less known language. It constitutes a testing ground notably because the differentiation between the three types of sentences cannot be done without information structure categories and, consequently, these categories must be integrated also in the grammatical description. The information structure analysis is based on the model outlined by Knud Lambrecht. In that model, information structure is considered as a component of sentence grammar that assures the pragmatically correct sentence forms. The work starts by an examination of the three sentence types and the analyses that have been done in André Martinet s functional grammar framework. This introduces the sentence types chosen as the object of study and discusses the difficulties related to their analysis. After a presentation of the state of the art, including earlier and more recent models, the principles and notions of Construction Grammar and of Lambrecht s model are introduced and explicated. The information structure analysis is presented in three chapters, each treating one of the three sentence types. The analyses are based on spoken language data and elicitation. Prosody is included in the study when a syntactic structure seems to code two different focus structures. In such cases, it is pertinent to investigate whether these are coded by prosody. The final chapter presents the constructions that have been established and the problems encountered in analysing them. It also discusses the impact of the study on the theories used and on the theory of syntax in general.
  • Tala, Henrik (2012)
    Rescuing Finland : French Prime Minister Édouard Daladier and French aid to Finland during the Winter War 1939-40 The objective of this study is to analyse the French Prime Minister Édouard Daladier s policy towards Finland during the so-called Winter War, 1939-40. In addition, this study focuses on the motives of Daladier in his attempts to try to rescue Finland. He was willing to assist Finland, and during the last weeks of the war, he wanted and even needed to rescue her, in order to prevent her from being crushed by the Soviet Union. Daladier s government suffered a damaging defeat in Parliament on the same day that the Winter War started. His response was to seek support from the political right, and providing Finland with political assistance and material aid was a practical way to achieve this. However, it soon became evident that the French government was expected to undertake a direct military intervention in support of Finland. During the winter the British government had also made plans for an intervention in Northern Europe. By early February the Allied governments had agreed to carry out a plan of action, which involved landing in Norway, occupying the iron ore fields of Swedish Lapland and, finally, sending the remaining troops to Finland. Relying on this agreement, Daladier was able to reject the criticisms of the opposition, by promising that France would send troops to Finland. The commitment, however, connected the survival of his government to the fate of Finland. Simultaneously, in early 1940, the French civil and military leadership was having second thoughts about the strategy of the Allies. There was growing distrust towards the so-called long war strategy, which relied on the assumption that the material superiority of Britain and France would result in military dominance over Germany in the fullness of time. Intervention in the Finnish war gained support from a strategic perspective, as it was seen as a means to favorably shift the balance of power between the Allied countries and Germany. In the end, Daladier s government did not survive the domestic political crises provoked by the Finnish peace treaty in March 1940. This study is centred on sources, namely diplomatic and military documents, which have thus far been unused in studies of French policy towards Finland in 1939-40. Besides, the method is dissimilar to that used in previous research, as this work is additionally based on a close examination of newspapers, diaries and other sources describing the political atmosphere in France. As a result, this research advances the notion that the prevailing mood in France was more pro-Finland than previously thought. Furthermore, this study stresses the significance of the shift in strategic thought as a key factor in the willingness of the French to intervene militarily in the Finnish war.
  • Snellman, Alex (Omakustanne, 2014)
    The dissertation is based on a simple observation: in the beginning of the nineteenth century the nobility ruled the Grand Duchy of Finland. The nobles were on the top of the society. A social group that represented 0.2 percent of the population controlled 30-40 percent of manors and higher offices. Three-quarters of the government council members were nobles. The Finnish society has changed drastically since then. Today the nobility is of no relevance, and the nobles have all but disappeared from public life. The members of parliament, government ministers and business leaders are all non-nobles. It is evident that, at least, after the Second Wold War the nobility did not have any social significance. When did the nobility loose its social standing, through which mechanisms and why? How did it move from the top of the society to new roles? Alex Snellman studies this fundamental social transformation in his doctoral dissertation. The approach of the dissertation is socio-historical: the main source for historical analysis is an extensive dataset that includes all the members of the Finnish nobility (nearly 20,000 persons). Statistical findings are complemented and illustrated by case studies that portray eight noble families: Armfelt, Furuhjelm, Järnefelt, Mannerheim, Ramsay, Soisalon-Soininen, Törngren and von Wendt. The dissertation suggests that the Finnish nobility lost its dominant role in the society at the turn of the century 1800-1900 and disappeared completely from the political elite when the first republic was replaced by the second republic after the Second Wold War. A few nobles have had some influence in the economic elite to this day, but for the most part nobles have lost their economic positions as well. The Finnish nobility has turned into a middle-class social group. In part, the nobility lost its influence because of political upheavals: the alliance between the Russian emperor and the Finnish nobility was severed during the russification period at the turn of the century. Key events include also the abolition of the old legislative assembly (the four-estate diet) in 1906, the dissolution of the monarchy in 1917 and the failure to re-establish monarchy, when Finland gained independence. In part, the nobility lost its position because of legislative reforms, such as the abolition of noble privileges from the 1860s onwards. And finally, the influence of the nobility vanished in the minds of the people: as it became more and more common to cross the dividing line between nobles and non-nobles in marriages and as the noble rank lost its value and esteem as status capital. The Finnish nobility did not perish in a revolution, whereas its peaceful withdrawal from the top of the society has been an important factor in the formation of the current egalitarian Finnish society. Finland did not become a rigid class society in the British manner. The old elite renounced its power - albeit under social pressure - for the most part voluntarily.
  • Pettersson, Susanna (Suomalaisen Kirjallisuuden Seura, 2008)
    From the Finnish Art Society to the Ateneum: Fredrik Cygnaeus, Carl Gustaf Estlander and the Roles of the Art Collection My dissertation deals with the Finnish Art Society and the development of its collection in the evolving field of the visual arts from the foundation of the society in 1846 to its exhibition in the Ateneum, a palace of art that was opened to the public in Helsinki in 1888. The main questions that it addresses are why and how the collection came into being, what its purpose was and what kind of future prospects were projected for it in the rapidly evolving field of the visual arts. I have examined the subject of my study from the perspectives of institutional history, the organisation of the field of art and the history of art collections. The prisms through which I have viewed the subject are the history of museums in Europe, the written history of art, the art association movement and the organisation of art education in relation to an ideology of enlightenment. Thus the activities of the Finnish Art Society are here mirrored for the first time in a wider context and the history of its collection located on the map of European collections. My research shows that the history of the collection of the Finnish Art Society initially depended on certain players in the visual arts and their particular leanings. The most important of these custodians were two long-serving chairmen of the society, Fredrik Cygnaeus (1807 1881) and Carl Gustaf Estlander (1834 1910). When the foundations for art activities had been laid through the establishment of the society, Cygnaeus and Estlander began to plan how the field of art might be moulded so as to improve the level of training for artists and to improve the quality of the collections and the opportunities for their display. Cygnaeus campaigned for the establishment of the Finnish Fine Arts Academy, while Estlander saw opportunities to combine the visual and applied arts. The findings of my research bring new information about the history of the collection of the Finnish Art Society, its profile, the professional abilities of those who were mainly responsible for developing it and the relationship between it and plans for reforming art education. The major findings are connected with the position of the collection in the field of art at different stages of its development. Despite the central monopoly of the Finnish Art Society in the field of art, the position of the collection was closely bound up with leading players in the field of art and their personal interests. This subservience also created an impediment to its full-blown enhancement and purposeful profiling, and it remained evident for a long time when the collection was seeking its own place in the Finnish art world.
  • Pitkänen, Kaarina (Suomalaisen Kirjallisuuden Seura, 2008)
    The development of botanical Finnish: Elias Lönnrot as the creator of new terminology In the 19th century the Finnish language was intentionally developed to meet the demands of civilised society and Finnish-language science. The development of the language involved several people from different fields of science. This study examines this enormous project in the field of botany. By which methods were scientific terms formed, and for which reasons were those terms used? Why has a certain word been chosen to represent a particular concept? The material of this study is the terminology of plant morphology in Finnish that Elias Lönnrot developed in the middle of the 19th century. The terms of plant morphology denote and describe the parts of the plant and the relationships between those parts. For instance, the terms emi pistill , hede stamen , terälehti petal and verholehti sepal , which are nowadays familiar in the general language, were used for the first time in Lönnrot s texts. The study integrates the methods of lexicology and terminology. In lexicology, the word and its various meanings serve as the focus, whereas the theory of terminology focuses on the concept and concept systems. A new, consciously developed terminology can be understood through the old, familiar vocabulary and structures as well as through the new, logical term system. Lönnrot s botanical terminology can be divided into three groups depending on their origin: 1) 19% of all terms have been accepted from the existing vocabulary and used in their original meanings, 2) 11% of all terms have been chosen from the existing vocabulary and used in the new, specific botanical meanings, and 3) 70% of all terms have been created on the basis of the existing vocabulary and used in the new, specific botanical meanings. Therefore, the study reveals that domestic materials primarily morphosemantic neologisms form the Finnish terminology of plant morphology. Characteristic of Lönnrot s botanical terms is the utilisation of the vocabulary of various Finnish dialects and particular repeating elements. Repeating elements include, for example, the prefixes that come from botanical Latin or Swedish as well as the particular Finnish derivation types. Such structures form term systems that reflect scientific concept systems. Two thirds of the created new words are formed loosely or precisely according to either Latin or Swedish terms; one third is formed completely differently from its equivalents in the foreign languages. Approximately half of the chosen terms are formed differently from the Latin and Swedish terms. It is worth noting that many loan translations use rare vocabulary from Finnish dialects as equivalents to foreign parts of terms. Lönnrot aimed to inspire scientific terminology with Finland s own language, thus making scientific text accessible to the Finnish agricultural population.
  • Holvas, Jakke (Tutkijaliitto, 2009)
    Jakke Holvas: A Critique of the Metaphysics of Economy The research problem of this dissertation is the commonly held opinion according to which everything has become a question of economy in the present day. Economy legitimates and justifies. In this study, the pattern of thinking and conceptualizing in which economy figures as the ultimate reason is called the metaphysics of economy. The defining characteristic of the metaphysics of economy is its failure to recognize non-economic rules, ethics, or ways of existence. The sources included in the study cover certain classics of philosophy (Plato, Aristotle, Friedrich Nietzsche) and sociology (Karl Marx, Max Weber, Marcel Mauss), as well as the more recent French social theory (Jean Baudrillard, Michel Foucault). The research methods used are textual analysis and evaluation of concepts by means of historical comparison. The background to the study is given by the views of historians and sociologists according to whom traditional forms have ceased to exist and the market economy become established as the western system of values. The study identifies points of transition from the traditional forms to economic values. In addition, the dissertation focuses on the modern non-economic forms. The study examines the economic and ethical meanings of gift in antiquity in Homer, Plato, and Aristotle. Following Marcel Mauss, the study analyzes the forms and principles of gift exchange. The study also applies Nietzsche’s philosophy to evaluate under what conditions giving a gift becomes an act of exercising power that puts its receiver into debt. The conclusion of the study is that the classics of philosophy and sociology can rightly be interpreted in terms of the metaphysics of economy, but they also offer grounds for criticizing this metaphysics, even alternatives. One such alternative is non-economic archaic ethic. The study delineates a duality between economy and non-economy as well as creating concepts which could be used in the future to critically analyze economy from a position external to the economic system of concepts.
  • Seppälä, Mikko-Olavi (2007)
    Workers' theatres in Finland until 1922 The topic of this dissertation is the workers' theatres in Finland before the year 1922. The main question is: why did these amateur theatres within the workers' associations become part of the professional theatre field in the 1910s by getting state subsidy as local theatre institutions? How is it possible that they received this status even after the civil war in 1918 when new professional theatres were founded all over the country? The study also asks, what kind of position did workers' theatres have in the workers' associations and in the workers' movement, what did the Social Democrats and Communists think of theatre and in particular of workers' theatre, and what kind of repertoire did the workers' theatres perform? It is a particular feature of Finland that the professional theatre field was not organised and that the workers’ movement had a relatively strong political position. The study concludes that some workers' theatres were the only steady theatre institutions in their surroundings, and thus functioned as local popular theatres performing to all social groups. Although amateur-based, they started to resemble professional theatres. Even though the Social Democratic Party did not have a specific theatre policy, the leaders of the Party appreciated and supported the workers' theatres as educational institutions and worked for their artistic improvement. The workers' theatres were also largely approved of and seen as people's theatres thought to unite and educate the nation and the working class. This reveals the need for national consensus, in the 1910s against the Russian government who worked to dissolve the autonomous position of the Finnish state, and after the civil war (1918) against the threat of a communist revolution. A wave of agitating proletarian theatre was felt in Finland in the early 1920s but it was marginalised by the large anti-communist majority.
  • Häti-Korkeila, Marjatta (2010)
    DRAMATURGY OF THEATRE MANAGEMENT Essential tasks, everyday problems and the need for structural changes Theatre justifies its existence only through high quality performances. Maintaining the artistic level and organizing performances are the primary tasks of a manager, even though in everyday life this often seems to be overshadowed by all the other tasks of a manager s work. How does a theatre manager design strategies and make everyday decisions if aims are to have artistically meaningful performances, financial success and a socially healthy ensemble, when not only artistic work or leadership of an organization are to be taken into consideration, but also a manpower-based art institution with long traditions? What does theatre management consist of and what kind of dramaturgical movement happens in it? Based on interviews carried out in five different city theatres in Finland in the years 2004-2008, incident stories were written within a continuous comparison theory frame. Social constructionism within a dramaturgic framework enabled versatile dialog on a manager s work and problem areas. The result is an interpretative study, where instead of common regularities, many details are collected that can be taken into consideration when similar situations occur. Based on the interviews and historical data, four factors that influence a manager s work were chosen: ownership, media, work community and programme. Within theatre management, the central problems were 1) the inconsistent use of theatre resources and problems in corporate governance caused by the administrative models; 2) the theatre s image, based on the image of its manager, as presented by the media and its influence on the wellbeing of the staff; 3) unsolved problems between the staff left behind by the previous managers and problems related to casting; 4) knowledge of the audience. These points influence how the manager plans the artistic programme and divides the resources. The theatre manager s job description has remained quite the same since the early days of Kaarlo Bergbom. In the future, special attention should be placed on why managers face fairly similar problems decade after decade. Reducing these problems partly depends on whether structural improvements are made to a theatre s close network of owners, financers and labour unions. During this study clear evidence was seen that structural changes are necessary in the production of performances and in the creation of a more versatile programme. In this process, different kinds of co-operation, experiments, development projects, continuing education and international relations have special importance, especially if the aim is to make it possible for all citizens of Finland to enjoy a vibrant and revitalized theatre.
  • Yliaska, Ville (Into Kustannus, 2014)
    This study explores the birth and development of marketisation of the public sector in Finland since the 1970s. These quasi-market reforms were labeled New Public Management (NPM) in the 1990s. The main idea of NPM was to introduce competition and result-oriented management into the public sector. The main focus falls on three different reforms: the management-by-results reform, state subsidy reform and the incorporation and privatization of public agencies. The research falls at the intersection of political and administrational history. The analysis is based primarily on archival sources, press debates and publications that deal with the marketisation of the public sector. The main questions are: how were the reforms justified and how it was possible to maintain the wave of reform for decades without any feedback about the economic impacts of the reforms? The study begins with the history of the welfare state and with the criticism that the welfare state encountered from different directions in the wake of the oil crisis of the 1970s. The study shows that New Public Management was one of the turning points where ideas about democratisation, decentralisation, conservancy and decommodification of work born in the 1960s and mid-1970s gave way to the centralisation, recommodification and marketisation of structures in the public sector. The study also shows that by 1980s and 1990s power over public resources in Finnish society was centralised from local to central government through doctrines of New Public Management, which separated operational and strategic power in order to reallocate public resources from welfare services to industrial policy. This power shift is analysed in the context of the recession of the 1970s, which was interpreted at the time as an overproduction crisis. The main justification of the NPM reforms – “decentralization” – is analysed from different angles, but the main focus is on the methods of conceptual history. The political battle over the meaning of the concept “decentralisation”, which had a pleasant connotation, was an important factor in defining the results of the reforms. The findings of the study align with the recent interpretations of the political and economic history of other European countries where structural reforms have also led to the centralisation of power from local government to the central government and especially to the treasury.
  • Tiililä, Ulla (Suomalaisen Kirjallisuuden Seura, 2007)
    Texts in the work of a city department: A study of the language and context of benefit decisions This dissertation examines documents granting or denying the access to municipal services. The data consist of decisions on transport services made by the Social Services Department of the City of Helsinki. The circumstances surrounding official texts and their language and production are studied through textual analysis and interviews. The dissertation describes the textual features of the above decisions, and seeks to explain such features. Also explored are the topics and methods of genre studies, especially the relationship between text and context. Although the approach is linguistic, the dissertation also touches on research in social work and administrative decision making, and contributes to more general discussion on the language and duties of public administration. My key premise is that a text is more than a mere psycholinguistic phenomenon. Rather, a text is also a physical object and the result of certain production processes. This dissertation thus not only describes genre-specific features, but also sheds light on the work that generates the texts examined. Textual analysis and analyses of discursive practices are linked through an analysis of intertextuality: written decisions are compared with other application documents, such as expert statements and the applications themselves. The study shows that decisions are texts governed by strict rules and written with modest resources. Textwork is organised as hierarchical mass production. The officials who write decisions rely on standard phrases extracted from a computer system. This allows them to produce texts of uniform quality which have been approved by the department s legal experts. Using a computer system in text production does not, however, serve all the needs of the writers. This leads to many problems in the texts themselves. Intertextual analysis indicates that medical argumentation weighs most heavily in an application process, although a social appraisal should be carried out when deciding on applications for transport services. The texts reflect a hierarchy in which a physician ranks above the applicant, and the department s own expert physician ranks above the applicant s physician. My analysis also highlights good, but less obvious practices. The social workers and secretaries who write decisions must balance conflicting demands. They use delicate linguistic means to adjust the standard phrases to suit individual cases, and employ subtle strategies of politeness. The dissertation suggests that the customer contact staff who write official texts should be allowed to make better use of their professional competence. A more general concern is that legislation and new management strategies require more and more documentation. Yet, textwork is only rarely taken into account in the allocation of resources. Keywords: (Critical) text analysis, genre analysis, administration, social work, administrative language, texts, genres, context, intertextuality, discursive practices