Sincere Performance in Pentecostal Megachurch Music

Show simple item record

dc.contributor.author Abraham, Ibrahim
dc.date.accessioned 2018-06-19T09:00:00Z
dc.date.available 2018-06-19T09:00:00Z
dc.date.issued 2018-06-15
dc.identifier.citation Abraham , I 2018 , ' Sincere Performance in Pentecostal Megachurch Music ' , Religions , vol. 9 , no. 6 , 192 . https://doi.org/10.3390/rel9060192
dc.identifier.other PURE: 107743251
dc.identifier.other PURE UUID: bf2bbd16-7d2d-4677-a9d7-4a7798faca96
dc.identifier.other WOS: 000436131000024
dc.identifier.other Scopus: 85048655408
dc.identifier.other ORCID: /0000-0003-1448-7449/work/45821749
dc.identifier.uri http://hdl.handle.net/10138/236489
dc.description.abstract Drawing on the work of Webb Keane and Joel Robbins in the anthropology of Christianity, furnished with the influential work of Charles Hirschkind in the anthropology of Islam, and the ethnographic studies of Tom Wagner and Mark Jennings on Pentecostal worship music, this article critically examines ideas of sincerity in the musical practices of Pentecostal megachurches. Making use of ethnographic data from research on congregational music in South Africa, including interviews with a variety of Pentecostal musicians, this article argues that the question of Protestant sincerity, understood following Keane as emphasizing individual moral autonomy and suspicion of external material religious forms for expressing one's inner state, is particularly acute in the case of the Hillsong megachurch. Employing the full array of spectacular possibilities made available by the contemporary culture industry, Hillsong churches centralize cultural production and standardize musical performance whilst simultaneously emphasizing individual religious experience. It is argued that Pentecostal megachurches seek to realize a form of sincere mimicry grounded in learned and embodied practices. en
dc.format.extent 21
dc.language.iso eng
dc.relation.ispartof Religions
dc.rights cc_by
dc.rights.uri info:eu-repo/semantics/openAccess
dc.subject Hillsong
dc.subject megachurch
dc.subject Pentecostalism
dc.subject South Africa
dc.subject worship music
dc.subject HILLSONG MEGACHURCH
dc.subject WORSHIP
dc.subject CAPITALISM
dc.subject CHURCH
dc.subject 5143 Social and cultural anthropology
dc.title Sincere Performance in Pentecostal Megachurch Music en
dc.type Article
dc.contributor.organization Social and Cultural Anthropology
dc.description.reviewstatus Peer reviewed
dc.relation.doi https://doi.org/10.3390/rel9060192
dc.relation.issn 2077-1444
dc.rights.accesslevel openAccess
dc.type.version publishedVersion
dc.relation.funder Unknown funder
dc.relation.grantnumber

Files in this item

Total number of downloads: Loading...

Files Size Format View
religions_09_00192.pdf 263.8Kb PDF View/Open

This item appears in the following Collection(s)

Show simple item record