Il canto sospeso de Luigi Nono

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http://hdl.handle.net/10138/25639

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Pareyon , G 2007 , ' Il canto sospeso de Luigi Nono ' , Pauta , vol. 26 , no. 102 , pp. 68–80 .

Title: Il canto sospeso de Luigi Nono
Alternative title: Luigi Nono's Il canto sospeso
Author: Pareyon, Gabriel
Other contributor: Helsingin yliopisto, Institutionen för konstforskning (-2009)
Date: 2007-04-01
Language: spa
Number of pages: 12
Belongs to series: Pauta
URI: http://hdl.handle.net/10138/25639
Abstract: This article explains how Nono's Il canto sospeso (1956), for solo voices, choir and orchestra, is structured in a logic of counterbalances for each musical action, overlapping a harmonic or ‘intuitive’ geometry, with a contrasting or ‘anti-intuitive’ plot. Unlike the typical relationships with the golden ratio, found in many musical examples in which it appears ‘naturally’ (see Tatlow 2001), intervals in the prime numbers series here are perceived as ‘counter-rhythm’; as a form of a counterintuitive distribution, or, as Jameson (2003:vii) suggests, as “a very irregular way” of apparent distribution.
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