Il canto sospeso de Luigi Nono

Show simple item record Pareyon, Gabriel 2011-03-03T16:00:00Z 2011-03-03T16:00:00Z 2007-04-01
dc.identifier.citation Pareyon , G 2007 , ' Il canto sospeso de Luigi Nono ' , Pauta , vol. 26 , no. 102 , pp. 68–80 .
dc.identifier.other PURE: 11395635
dc.identifier.other PURE UUID: 32eea5fd-a3d7-4cde-ace9-0bba97ce6c99
dc.description.abstract This article explains how Nono's Il canto sospeso (1956), for solo voices, choir and orchestra, is structured in a logic of counterbalances for each musical action, overlapping a harmonic or ‘intuitive’ geometry, with a contrasting or ‘anti-intuitive’ plot. Unlike the typical relationships with the golden ratio, found in many musical examples in which it appears ‘naturally’ (see Tatlow 2001), intervals in the prime numbers series here are perceived as ‘counter-rhythm’; as a form of a counterintuitive distribution, or, as Jameson (2003:vii) suggests, as “a very irregular way” of apparent distribution. en
dc.format.extent 12
dc.language.iso spa
dc.relation.ispartof Pauta
dc.rights.uri info:eu-repo/semantics/openAccess
dc.title Il canto sospeso de Luigi Nono es
dc.title.alternative Luigi Nono's Il canto sospeso en
dc.type Artikel
dc.contributor.organization Institutionen för konstforskning (-2009)
dc.rights.accesslevel openAccess
dc.type.version acceptedVersion

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