Montage in Russian Imaginism : Poetry, Theatre and Theory

Show simple item record

dc.contributor.author Huttunen, Tomi
dc.date.accessioned 2018-11-21T16:37:01Z
dc.date.available 2018-11-21T16:37:01Z
dc.date.issued 2013
dc.identifier.citation Huttunen , T 2013 , ' Montage in Russian Imaginism : Poetry, Theatre and Theory ' , Sign Systems Studies , vol. 41 , no. 2/3 , pp. 219-229 . https://doi.org/10.12697/SSS.2013.41.2-3.05
dc.identifier.other PURE: 15552557
dc.identifier.other PURE UUID: a4012808-3897-4e04-b81a-015dbee3a5a3
dc.identifier.other WOS: 000344980800005
dc.identifier.other Scopus: 84894199379
dc.identifier.other ORCID: /0000-0001-5054-8080/work/37157296
dc.identifier.uri http://hdl.handle.net/10138/264695
dc.description.abstract The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich's application of the principle in poetry was called "image catalogue", a radical poetic experiment in the spirit of both Walt Whitman and Sergei Eisenstein. Mariengof's main contribution to the montage poetics was his first fictional novel The Cynics (1928). The article also discusses the Imaginists' writings on the essence of theatre as an autonomous art form - Shershenevich's activity in the OGT (Experimental Heroic Theatre) and Mariengof's participation in the work of the MKT (Moscow Kamerny Theatre). en
dc.format.extent 10
dc.language.iso eng
dc.relation.ispartof Sign Systems Studies
dc.rights.uri info:eu-repo/semantics/restrictedAccess
dc.subject 6122 Literature studies
dc.subject Russian literature
dc.subject imaginism
dc.subject montage
dc.subject Avant-garde (Aesthetics)
dc.subject Avantgarde
dc.subject Theatre
dc.title Montage in Russian Imaginism : Poetry, Theatre and Theory en
dc.title.alternative Montaasi venäläisessä imaginismissa: runous, teatteri ja teoria fi
dc.type Article
dc.contributor.organization Department of Modern Languages 2010-2017
dc.description.reviewstatus Peer reviewed
dc.relation.doi https://doi.org/10.12697/SSS.2013.41.2-3.05
dc.relation.issn 1406-4243
dc.rights.accesslevel restrictedAccess
dc.relation.funder Kone Foundation, Academy of Finland, University of Helsinki
dc.relation.funder Kone Foundation, Academy of Finland, University of Helsinki
dc.relation.funder Kone Foundation, Academy of Finland, University of Helsinki
dc.relation.funder Kone Foundation, Academy of Finland, University of Helsinki
dc.relation.funder Kone Foundation, Academy of Finland, University of Helsinki
dc.relation.grantnumber
dc.relation.grantnumber
dc.relation.grantnumber
dc.relation.grantnumber
dc.relation.grantnumber

Files in this item

Total number of downloads: Loading...

Files Size Format View
Montage_in_Russian_Imaginism_Poetry_thea.pdf 135.2Kb PDF View/Open

This item appears in the following Collection(s)

Show simple item record