Dancing without Space – On Nijinsky's L'Après-midi d'un Faune (1912)

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http://urn.fi/URN:NBN:fi-fe202002054559

Citation

Dance Research 27:1, Summer 2009

Titel: Dancing without Space – On Nijinsky's L'Après-midi d'un Faune (1912)
Författare: Järvinen, Hanna
Datum: 2009
Permanenta länken (URI): http://hdl.handle.net/10138/311040
URN:NBN:fi-fe202002054559
Nätpublikation: https://doi.org/10.3366/E0264287509000243
Abstrakt: Three-dimensional theatrical space is often taken for granted as a precondition of dance. Already in 1912, the choreographer Vaslav Nijinsky provoked much discussion with a work that seemingly turned the performance into a moving, two-dimensional picture. L’Après-midi d’un Faune has achieved notoriety because of the objections some contemporary critics raised against the ‘immoral’ behaviour of the principal character, but I argue the style of the work brought about an important shift in how dancing was conceptualised as something composed by a choreographic author.
Subject (ysa): Nijinsky, Vaslav
koreografia
tanssiteokset
Subject (allärs): koreografi
dansverk
Subject (lcsh): Dance.
Choreography.
Licens: Publikationen är skyddad av upphovsrätten. Den får läsas och skrivas ut för personligt bruk. Användning i kommersiellt syfte är förbjuden.


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