Dancing without Space – On Nijinsky's L'Après-midi d'un Faune (1912)

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dc.contributor.author Järvinen, Hanna
dc.date.accessioned 2020-02-05T07:07:33Z
dc.date.available 2020-02-05T07:07:33Z
dc.date.issued 2009
dc.identifier.citation Dance Research 27:1, Summer 2009 fi
dc.identifier.uri http://hdl.handle.net/10138/311040
dc.identifier.uri URN:NBN:fi-fe202002054559
dc.description.abstract Three-dimensional theatrical space is often taken for granted as a precondition of dance. Already in 1912, the choreographer Vaslav Nijinsky provoked much discussion with a work that seemingly turned the performance into a moving, two-dimensional picture. L’Après-midi d’un Faune has achieved notoriety because of the objections some contemporary critics raised against the ‘immoral’ behaviour of the principal character, but I argue the style of the work brought about an important shift in how dancing was conceptualised as something composed by a choreographic author. fi
dc.format.extent 41 fi
dc.language.iso en fi
dc.relation.uri https://doi.org/10.3366/E0264287509000243 fi
dc.rights Julkaisu on tekijänoikeussäännösten suojaama teos. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty. fi
dc.rights This publication is work protected by copyright. You may download, display and print it for Your own personal use. Commercial use is prohibited. en
dc.rights Publikationen är skyddad av upphovsrätten. Den får läsas och skrivas ut för personligt bruk. Användning i kommersiellt syfte är förbjuden. sv
dc.subject.lcsh Dance. fi
dc.subject.lcsh Choreography. fi
dc.title Dancing without Space – On Nijinsky's L'Après-midi d'un Faune (1912) fi
dc.type Artikkeli verkkojulkaisussa – Artikel i nätpublikation – Article in an electronic publication fi
dc.subject.ysa Nijinsky, Vaslav fi
dc.subject.ysa koreografia fi
dc.subject.ysa tanssiteokset fi
dc.subject.allärs koreografi fi
dc.subject.allärs dansverk fi

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