A thought of performance

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dc.contributor.author Nauha, Tero Allan
dc.date.accessioned 2020-03-12T07:05:01Z
dc.date.available 2020-03-12T07:05:01Z
dc.date.issued 2017-01-01
dc.identifier.citation Nauha , T A 2017 , ' A thought of performance ' , Performance Philosophy , vol. 2 , no. 2 , pp. 272-285 . https://doi.org/10.21476/PP.2017.2276
dc.identifier.other PURE: 79180288
dc.identifier.other PURE UUID: 46fb1792-70d1-4f05-9c1a-fa4e0adc196e
dc.identifier.other ORCID: /0000-0002-0330-0928/work/37183914
dc.identifier.uri http://hdl.handle.net/10138/313206
dc.description.abstract In this article I attempt to trace the path of my artistic research, which began from the application of schizoanalysis in performance and which now explores the possible limits of thought in order to regard how performance thinks in specifically different ways from discursive forms of thought, such as philosophy. The main argument starts from the notion – borrowed from French thinker, François Laruelle - that philosophical thought does not tell us more about the Real than any other gestures of thought. I begin from a speculative relationship between the apparatus of cognitive capitalism. I conclude by superpositioning the post-humanist thought of Laruelle and Karen Barad with the concept of ‘non-standard’ performance as fictioning. As a whole, the article aims to propose a performative approach to artistic research in these terms. fi
dc.format.extent 14
dc.language.iso eng
dc.relation.ispartof Performance Philosophy
dc.rights cc_by_nc_sa
dc.rights.uri info:eu-repo/semantics/openAccess
dc.subject 6131 Theatre, dance, music, other performing arts
dc.title A thought of performance en
dc.title.alternative Esityksen ajatus fi
dc.type Article
dc.contributor.organization Helsinki Collegium for Advanced Studies
dc.description.reviewstatus Peer reviewed
dc.relation.doi https://doi.org/10.21476/PP.2017.2276
dc.relation.issn 2057-7176
dc.rights.accesslevel openAccess
dc.type.version publishedVersion

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