>matter joining subject< Choreographing with

Show full item record

Permalink

http://urn.fi/URN:NBN:fi-fe2020072847695
Title: >matter joining subject< Choreographing with
Author: Loimaala, Karoliina
Contributor: Teatterikorkeakoulu, Koreografin maisteriohjelma
Date: 2020
Thesis level:
URI: http://hdl.handle.net/10138/317992
URN:NBN:fi-fe2020072847695
Abstract: This written section of my thesis work is based on the artistic part Purpling that premiered at the Theatre Academy 24.9.2019 in Theatre Hall. The written section departs from analysing the artistic part. It attempts to present leading questions that drove the artistic process, what kind of choreographic and bodily practices were engaged in throughout the process, leading chosen theoretical frameworks, personal remarks and experiences that have affected both artistic and writing processes. The written section attempts to focus on how choreographing with matter and human as both active, vibrant constitutions, materialises in an affective, rich, and constantly changing intra-action (defined by Karen Barad). It tries to ponder on what possibilities a thematic of moving subjectivities might offer in terms of ending the era of Anthropocene. In this written section I will: Centralise my artistic interests in choreographic realm to the concepts of thingness, polysemy of matter, breathing space and affected body. Observe these interests through theoretical frameworks offered specifically by Hélène Cixous, Erin Manning and Jane Bennett. Itemise my tendency to begin an artistic process and analyse how that reveals the constitutive ingredients of my choreographic thinking. Introduce the driving motives and questions for Purpling: A personal sensorial experience event of purpling defined by Erin Manning an interest towards working with soil a question about translation as an artistic method, regarding translating a reconstructed subjectivity of Hélène Cixous´ hysteric into a choreographic work. Analyse how a period spent in Brazil functioned as a premonition for the artistic process, through personal, sensorial experiences and the questions that arose. Observe how and where the choreographic work actualised while being framed by concepts of vibrant landscape, feeling with world, and being (with) mineral. Observe what kind of choreographic operations were needed when researching the thematic of a reconstructed subjectivity of Cixous´ hysteric and so being, moving subjectivity. Observe and analyse how to use a Lacanian division into imaginary, symbolic and Real as a choreographic grid and a compositional tool. Ponder on possible meanings behind the initial questions and a possible outcome of what this choreographic work is about, to me.
Subject: relativity
feeling with world
intra-action
Discourse of hysteric
hybrid
translation
materia
subjektiviteetti
hysteerikko
kanssatunteminen
suhteisuus
intra-aktio
transformaatio
Subject: relativity
feeling with world
intra-action
Discourse of hysteric
hybrid
translation
materia
subjektiviteetti
hysteerikko
kanssatunteminen
suhteisuus
intra-aktio
transformaatio
Subject (yso): aine
subjekti (filosofia)
koreografia
hybridit
käännökset
subjektiivisuus
mineraalit
Subject (ysa): Cixous, Hélène
Manning, Erin
Bennett, Jane
Lacan, Jacques
Subject (allärs): hybrider
översättningar
subjektivitet
materia
mineraler
koreografi
Subject (lcsh): Subjectivity
Matter.
Minerals
Subjectivity.
Hysteric
Choreography
Rights: This publication is work protected by copyright. You may download, display and print it for Your own personal use. Commercial use is prohibited.


Files in this item

Total number of downloads: Loading...

Files Size Format View
Loimaala_Karoliina_2020.pdf.pdf 1.272Mb PDF View/Open

This item appears in the following Collection(s)

Show full item record