>matter joining subject< Choreographing with

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dc.contributor Teatterikorkeakoulu, Koreografin maisteriohjelma fi
dc.contributor.author Loimaala, Karoliina
dc.date.accessioned 2020-07-28T10:42:28Z
dc.date.available 2020-07-28T10:42:28Z
dc.date.issued 2020
dc.identifier.uri http://hdl.handle.net/10138/317992
dc.identifier.uri URN:NBN:fi-fe2020072847695
dc.description.abstract This written section of my thesis work is based on the artistic part Purpling that premiered at the Theatre Academy 24.9.2019 in Theatre Hall. The written section departs from analysing the artistic part. It attempts to present leading questions that drove the artistic process, what kind of choreographic and bodily practices were engaged in throughout the process, leading chosen theoretical frameworks, personal remarks and experiences that have affected both artistic and writing processes. The written section attempts to focus on how choreographing with matter and human as both active, vibrant constitutions, materialises in an affective, rich, and constantly changing intra-action (defined by Karen Barad). It tries to ponder on what possibilities a thematic of moving subjectivities might offer in terms of ending the era of Anthropocene. In this written section I will: Centralise my artistic interests in choreographic realm to the concepts of thingness, polysemy of matter, breathing space and affected body. Observe these interests through theoretical frameworks offered specifically by Hélène Cixous, Erin Manning and Jane Bennett. Itemise my tendency to begin an artistic process and analyse how that reveals the constitutive ingredients of my choreographic thinking. Introduce the driving motives and questions for Purpling: A personal sensorial experience event of purpling defined by Erin Manning an interest towards working with soil a question about translation as an artistic method, regarding translating a reconstructed subjectivity of Hélène Cixous´ hysteric into a choreographic work. Analyse how a period spent in Brazil functioned as a premonition for the artistic process, through personal, sensorial experiences and the questions that arose. Observe how and where the choreographic work actualised while being framed by concepts of vibrant landscape, feeling with world, and being (with) mineral. Observe what kind of choreographic operations were needed when researching the thematic of a reconstructed subjectivity of Cixous´ hysteric and so being, moving subjectivity. Observe and analyse how to use a Lacanian division into imaginary, symbolic and Real as a choreographic grid and a compositional tool. Ponder on possible meanings behind the initial questions and a possible outcome of what this choreographic work is about, to me. fi
dc.format.extent 68 fi
dc.language.iso en fi
dc.relation.isbasedon Purpling fi
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dc.subject relativity fi
dc.subject feeling with world fi
dc.subject intra-action fi
dc.subject Discourse of hysteric fi
dc.subject hybrid fi
dc.subject translation fi
dc.subject materia fi
dc.subject subjektiviteetti fi
dc.subject hysteerikko fi
dc.subject kanssatunteminen fi
dc.subject suhteisuus fi
dc.subject intra-aktio fi
dc.subject transformaatio fi
dc.subject.lcsh Subjectivity fi
dc.subject.lcsh Matter.
dc.subject.lcsh Minerals
dc.subject.lcsh Subjectivity.
dc.subject.lcsh Hysteric
dc.subject.lcsh Choreography
dc.title >matter joining subject< Choreographing with fi
dc.subject.ysa Cixous, Hélène
dc.subject.ysa Manning, Erin
dc.subject.ysa Bennett, Jane
dc.subject.ysa Lacan, Jacques
dc.type.ontasot Maisterin opinnäytetyö fi
dc.subject.allärs hybrider fi
dc.subject.allärs översättningar fi
dc.subject.allärs subjektivitet fi
dc.subject.allärs materia
dc.subject.allärs mineraler
dc.subject.allärs koreografi
dc.subject.yso aine fi
dc.subject.yso subjekti (filosofia) fi
dc.subject.yso koreografia fi
dc.subject.yso hybridit fi
dc.subject.yso käännökset fi
dc.subject.yso subjektiivisuus fi
dc.subject.yso mineraalit fi

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