Ality : inhabiting the virtual through choreographic practice and research

Show simple item record

dc.contributor Teatterikorkeakoulu, Esitystaiteen ja –teorian maisteriohjelma fi
dc.contributor.author Larsen, Ida-Elisabeth S.
dc.date.accessioned 2020-12-21T11:20:09Z
dc.date.available 2020-12-21T11:20:09Z
dc.date.issued 2020
dc.identifier.uri http://hdl.handle.net/10138/323549
dc.identifier.uri URN:NBN:fi-fe20201221101671
dc.description.abstract In relation to the traditional expression of the term choreography, the formulation of movement appears to be something that the choreographer as an activating agent sets into motion. In this thesis, I will illustrate a transformation in my own reasoning around that concept and present the three terms choreographer, choreographic object, Movement as Constant Condition (MCC) and their reciprocal relationship. Through an evolution of my own research and practice, I will show how I have come to understand that if either choreographic object, choreographer or a prevailing concept of movement change, then the other two must undergo reformulation too. This thesis will show how these variables have become intrinsically connected to each other in my work, with none having more agency or influence over the other. The argumentation of this paper will use the research and presentations of the collaborative choreographic works of TRANS- (2015) and in particular Ality (2018) as defining models for how the concept of MCC came into fruition, and then transformed my thinking and influenced my approach to choreographing as well. I will start by illustrating how in the work TRANS- we found the seed from which the idea of MCC grew. I will then show how it became the starting point for the work Ality. This is where the idea of Movement as Constant Condition developed even further through the concept of the virtual and my studies in the Theatre Academy - University of the Arts Helsinki (TeaK) during MA program in Ecology and Contemporary Performance. fi
dc.format.extent 41 fi
dc.language.iso en fi
dc.relation.isbasedon Ality by two-women-machine-show & Jonathan Bonnici in co-creation with Santi Rieser, Yujin Kim and Lea Paulsen. Performance 16th-18th of February 2018 in Studio 2 at Theatre Academy - University of the Arts Helsinki fi
dc.rights Publikationen är skyddad av upphovsrätten. Den får läsas och skrivas ut för personligt bruk. Användning i kommersiellt syfte är förbjuden. sv
dc.rights This publication is work protected by copyright. You may download, display and print it for Your own personal use. Commercial use is prohibited. en
dc.rights Julkaisu on tekijänoikeussäännösten suojaama teos. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty. fi
dc.subject Choreographic Practice fi
dc.subject Choreographic Object fi
dc.subject Movement as Constant Condition fi
dc.subject The virtual fi
dc.subject Contemporary Performance fi
dc.subject.lcsh Choreography. fi
dc.subject.lcsh Choreographers. fi
dc.subject.lcsh Ecology. fi
dc.title Ality : inhabiting the virtual through choreographic practice and research fi
dc.subject.ysa koreografia fi
dc.subject.ysa koreografit fi
dc.subject.ysa virtuaalisuus fi
dc.subject.ysa ekologia fi
dc.type.ontasot Maisterin opinnäytetyö fi
dc.subject.allärs koreografi fi
dc.subject.allärs koreografer fi
dc.subject.allärs virtualitet fi
dc.subject.allärs ekologi fi

Files in this item

Total number of downloads: Loading...

Files Size Format View
Larsen_Ida-Elisabeth_2020.pdf 10.31Mb PDF View/Open

This item appears in the following Collection(s)

Show simple item record