“Sampo” Model and Semantic Portals for Digital Humanities on the Semantic Web

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dc.contributor University of Helsinki, Mind and Matter en
dc.contributor.author Hyvönen, Eero
dc.contributor.editor Reinsone, Sanita
dc.contributor.editor Skadiņa, Inguna
dc.contributor.editor Baklāne, Anda
dc.contributor.editor Daugavietis, Jānis
dc.date.accessioned 2021-09-06T09:42:01Z
dc.date.available 2021-09-06T09:42:01Z
dc.date.issued 2020
dc.identifier.citation Hyvönen , E 2020 , “Sampo” Model and Semantic Portals for Digital Humanities on the Semantic Web . in S Reinsone , I Skadiņa , A Baklāne & J Daugavietis (eds) , Proceedings of the Digital Humanities in the Nordic Countries 5th Conference (DHN 2020) . CEUR workshop proceedings , no. 2612 , CEUR-WS.org , Aachen , pp. 373-378 , Digital Humanities in the Nordic Countries 5th Conference , 20/10/2020 . en
dc.identifier.citation conference en
dc.identifier.other PURE: 136992299
dc.identifier.other PURE UUID: 04fa5fb0-fde2-430f-8087-1c3fa56eea99
dc.identifier.other Scopus: 85086082435
dc.identifier.other ORCID: /0000-0003-1695-5840/work/99544020
dc.identifier.uri http://hdl.handle.net/10138/334001
dc.description.abstract This paper presents the vision and longstanding work in Finland on creating a national Cultural Heritage ontology infrastructure and semantic portals based on Linked Data on the Semantic Web. In particular, the “Sampo” series of semantic portals is considered, including CultureSampo (2009), TravelSampo (2011), BookSampo (2011), WarSampo (2015), BiographySampo (2018), NameSampo (2019), WarWictimSampo (2019), FindSampo (2019), MMM (2020), LawSampo (2020), AcademySampo (2020), and ParliamentSampo (2022). They all share the “Sampo model” for publishing Cultural Heritage content the Semantic Web that typically involves three components: 1) A “business model” for harmonizing, aggregating, and publishing heterogeneous, distributed contents based ona shared ontology infrastructure. 2) An approach to interface design, where the data can be re-used and accessed independently from multiple application perspectives, while the data resides in a single SPARQL endpoint. 3) A two-step model for accessing and analyzing the data where the focus of interest is first filtered out using faceted semantic search, and then visualized or analyzed by ready-to-use Digital Humanities tools of the portal. This model has been proven useful in practise: Sampo portals have attracted lots users from tens of thousands to millions depending on the Sampo. It is argued that the next step ahead could be portals for serendipitous knowledge discovery where the tools, based on AI techniques, are able to find automatically serendipitous, “interesting” phenomena and research questions in the data, and even solve problems with explanations. en
dc.format.extent 6
dc.language.iso eng
dc.publisher CEUR-WS.org
dc.relation.ispartof Proceedings of the Digital Humanities in the Nordic Countries 5th Conference (DHN 2020)
dc.relation.ispartofseries CEUR workshop proceedings
dc.rights en
dc.subject 113 Computer and information sciences en
dc.title “Sampo” Model and Semantic Portals for Digital Humanities on the Semantic Web en
dc.type Conference contribution
dc.type.uri info:eu-repo/semantics/other
dc.contributor.pbl
dc.contributor.pbl

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