| The entire DSpace / Konferenssit / ISSEI - International Society for the Study of European Ideas, 28.7.- 2.8.2008 | 7 / 2023 | 8 / 2023 | 9 / 2023 | 10 / 2023 | 11 / 2023 | 12 / 2023 | 1 / 2024 | 2 / 2024 | 3 / 2024 | 4 / 2024 | 5 / 2024 | 6 / 2024 | Total |
|---|
| A Postdramatic Psychoanalytical Dramaturgy | 1 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
0 |
4 |
0 |
1 |
17 |
| A Successful Courtship in Nineteenth-Century Canada | 4 |
2 |
1 |
8 |
6 |
9 |
8 |
7 |
6 |
5 |
5 |
1 |
62 |
| Academic Research in Romania - Critical Issues and New Challenges | 2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
13 |
| Academic research in Romanian universities. The case of the Academy of Economic Studies from Bucharest | 3 |
1 |
5 |
2 |
7 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
25 |
| Account books, amateur literature and true stories. The practice of rural life writing in 20th century Austria | 3 |
0 |
2 |
2 |
6 |
4 |
0 |
0 |
0 |
2 |
0 |
4 |
23 |
| Airport Heterotopia: Le Guin’s Subversive Places | 7 |
7 |
13 |
12 |
8 |
13 |
48 |
9 |
12 |
8 |
7 |
8 |
152 |
| American Presidents, Scholarship, and the Power of Literature | 4 |
2 |
4 |
3 |
3 |
3 |
2 |
8 |
2 |
3 |
2 |
1 |
37 |
| An Artaudian and Brechtian Analysis of The Living Theatre’s The Brig: A Study of Contradictory Theories in Practice | 6 |
6 |
1 |
1 |
3 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
31 |
| Architectural Design with Parametric Modeling & Customized Mass Production: Explorations and Case Studies in Architectural Design and Production Methods | 11 |
7 |
4 |
11 |
11 |
10 |
10 |
7 |
5 |
6 |
4 |
1 |
87 |
| Architecture of Criticality: From Mythos, Ethnos, Ethos and Pathos to Logos | 23 |
4 |
8 |
9 |
6 |
2 |
5 |
3 |
5 |
1 |
4 |
1 |
71 |
| Aristotelian influence in the formation of medical theory | 17 |
19 |
31 |
25 |
22 |
15 |
31 |
22 |
4 |
3 |
2 |
3 |
194 |
| Aviation, the Nation and Humanism: Aerial Combat in the Works of André Malraux and Antoine de Saint-Exupéry | 4 |
27 |
25 |
20 |
7 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
96 |
| Balanced Imagination. Enlightenment and/or Imagination in Friedrich Nicolai | 2 |
4 |
0 |
3 |
4 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
26 |
| Behind the Pinocchio’s Story: Urban Representation as a Techno-Fairytale | 2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
9 |
| Bologna Process and the Reform of Higher Education in Romania. The Case of Romanian Private Universities, Constantin Brâncoveanu University, Piteşti, Romania | 27 |
95 |
1 |
1 |
3 |
3 |
3 |
2 |
5 |
3 |
0 |
5 |
148 |
| Breaking Free of Ego’s Gravitational Pull: The Conquest of (Other) Space in Robert Lepage’s The Far Side of the Moon | 1 |
0 |
2 |
3 |
1 |
1 |
2 |
3 |
2 |
4 |
4 |
0 |
23 |
| Brechtian Traces in Pina Bausch's Choreographic and Cinematic Work | 21 |
20 |
11 |
14 |
13 |
14 |
19 |
13 |
33 |
15 |
13 |
11 |
197 |
| Brecht’s Theories in Fiction | 3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
11 |
| Charisma and the Case of Philip Rieff | 5 |
5 |
3 |
4 |
0 |
7 |
13 |
6 |
5 |
4 |
8 |
2 |
62 |
| Communicating Health Risk to Teens in Non-news Formats | 2 |
2 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
3 |
1 |
23 |
| Communicating scientific risk in a complex media world: An analysis of SHAC.Net | 1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
8 |
| Comparing Two Software Production Domains | 6 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
24 |
| Competitive spirit in Hungary in light of the accession to the European Union | 0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
7 |
| Composition and Improvisation in the Search for Architectural Form Case Study: Art speech-fragments of Alvar Aalto | 0 |
3 |
0 |
4 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
19 |
| Compressing Evil: Representations of Space and the Geo-Political Imagination in World War II Films | 0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
11 |
| Contrasting Biological and Historical Approaches to The Evolution of Political Morality | 1 |
2 |
1 |
3 |
3 |
0 |
6 |
92 |
17 |
4 |
0 |
3 |
132 |
| Control + C, Control + V: a brief history on the ethics of copying | 2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
8 |
| Correspondences sémiotiques entre théologie et méetaphysique | 0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
8 |
| Costume on Contemporary Stage | 8 |
2 |
5 |
3 |
4 |
2 |
3 |
3 |
1 |
1 |
1 |
1 |
34 |
| Creativity in the Governance of The European Industrial Cities : Process, Outputs and Limits | 1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
14 |
| Crimes, offenses and misfeasance in popular fairy tales | 38 |
49 |
62 |
111 |
128 |
65 |
123 |
84 |
80 |
97 |
114 |
53 |
1004 |
| Cubist Design, Scientific Crystallography, and Other tales of “Crystalline Splendour" | 4 |
6 |
12 |
6 |
6 |
1 |
3 |
5 |
1 |
1 |
0 |
0 |
45 |
| Deconstructing the Creative City: Snapshots from Helsinki | 0 |
3 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
18 |
| Delightful Visibility and its Limits. Joseph Addison on “The Pleasures of the Imagination" | 1 |
2 |
9 |
4 |
8 |
21 |
6 |
2 |
5 |
10 |
4 |
3 |
75 |
| Discerning Values: Aesthetics Today via Shakespeare and Van Eyck | 0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
11 |
| Dreams and the Activity of Mind and/or Body: Some Re-evaluations of Anthropological Discourse Around 17501 | 0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
6 |
| Early Modern French Feminine Narratives: Subverting Gender Roles and Sexual Identity in Mme d'Aulnoy's Beauty or the Fortunate Knight (1698) | 4 |
2 |
2 |
2 |
10 |
0 |
1 |
9 |
3 |
1 |
1 |
0 |
35 |
| Empathy and the Potential Body of Imagination | 1 |
13 |
8 |
2 |
3 |
4 |
3 |
1 |
2 |
2 |
3 |
3 |
45 |
| Enlightened Poetics and Experimental Poetry: Imagination and Emotion in the Eighteenth Century | 7 |
7 |
4 |
6 |
10 |
11 |
4 |
2 |
1 |
12 |
13 |
3 |
80 |
| Environmental Catastrophe Risk as Factual Entertainment Television in Perfect Disaster | 4 |
1 |
4 |
7 |
3 |
8 |
10 |
5 |
6 |
4 |
1 |
1 |
54 |
| EU Higher Education in the Knowledge Society | 2 |
3 |
2 |
0 |
2 |
0 |
4 |
0 |
2 |
4 |
0 |
1 |
20 |
| Europe as Will and Imagination | 0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
| European Culture and the New Ideological Challenges | 0 |
1 |
3 |
4 |
2 |
1 |
2 |
0 |
3 |
1 |
3 |
4 |
24 |
| Flexicurity – the Solution for the Labour Markets Policy Reform from the European Union Member States | 0 |
3 |
2 |
3 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
17 |
| Folktales and interculturality in Africa The Ugandan case | 7 |
1 |
8 |
7 |
1 |
3 |
5 |
5 |
10 |
14 |
10 |
5 |
76 |
| Four Ways of Seeing: Art Looks at Science, and Vice Versa | 2 |
1 |
3 |
0 |
1 |
4 |
5 |
4 |
1 |
2 |
1 |
0 |
24 |
| From Ariadne to Medea: The Anthropology of the Unheimlich (Unfamiliar) | 0 |
4 |
6 |
4 |
5 |
3 |
2 |
2 |
3 |
3 |
6 |
6 |
44 |
| From Ashurbanipal to Plato: Religion and Naturalism in Ancient Science | 2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
12 |
| From Perception to Cognition: the Five Senses and the Search for Meaning in Italo Calvino’s Last Short Stories | 6 |
2 |
2 |
3 |
1 |
5 |
1 |
2 |
1 |
2 |
0 |
2 |
27 |
| From Words into Space: A Literature-based Design Strategy with a Focus on Perception | 5 |
0 |
4 |
6 |
2 |
5 |
2 |
4 |
7 |
5 |
4 |
6 |
50 |
| Future Trends of Latvian Financial Market Development | 2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
10 |
| Gender of Ethics from Chronica Najerensis to Hollywood's El Cid | 3 |
2 |
0 |
1 |
1 |
6 |
1 |
0 |
0 |
1 |
1 |
2 |
18 |
| Girard’s Anthropology of Addiction. An Exploration through Mimesis and Mitsein | 2 |
3 |
7 |
6 |
4 |
3 |
4 |
8 |
3 |
8 |
5 |
7 |
60 |
| Globalization, the Paradox of Security Discourse and Change in Turkey | 1 |
5 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
15 |
| Going so Far in Faith: Tudor Arghezi’s Psalms and their Place in Romanian Religious Poetry | 1 |
3 |
2 |
5 |
5 |
3 |
4 |
2 |
3 |
2 |
4 |
0 |
34 |
| Helsinki, ‘Language’ and ‘Scientific Imagination’ | 2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
10 |
| Hobbes (and Aristotle) on Science as the Basis of the Human Good | 3 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
21 |
| Hobbes, Aristotle, and Human Happiness | 33 |
48 |
76 |
70 |
67 |
82 |
30 |
80 |
62 |
61 |
47 |
18 |
674 |
| Hobbes’s Natural Condition and His Natural Science | 4 |
3 |
3 |
7 |
5 |
6 |
5 |
9 |
3 |
4 |
4 |
0 |
53 |
| How does museum planning influence the image of cities? Case of selected institutions of contemporary art in Europe | 3 |
1 |
2 |
3 |
3 |
5 |
2 |
4 |
0 |
5 |
5 |
4 |
37 |
| Imagining Empathy in Henry James’s “The Middle Years" and Anatole Broyard’s “The Patient Examines the Doctor" | 6 |
5 |
5 |
7 |
2 |
4 |
2 |
2 |
5 |
2 |
3 |
1 |
44 |
| In Search of the Moral Justification for Intellectual Property Rights | 3 |
15 |
3 |
2 |
3 |
2 |
1 |
5 |
1 |
29 |
6 |
4 |
74 |
| In Search of True America: Images From Ilf and Petrov’s 1935 American Road Trip | 4 |
2 |
2 |
3 |
3 |
3 |
2 |
4 |
2 |
1 |
2 |
1 |
29 |
| Interdisciplinary Complementarity, The Starting Point in Setting Up Research Working Groups | 2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
9 |
| Islam, Europe, and the Near East | 2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
10 |
| Javier Cercas's Soldiers of Salamis and the Recovery of ‘Historical Memory’ in Today's Spain | 3 |
42 |
23 |
11 |
14 |
22 |
94 |
11 |
7 |
11 |
32 |
6 |
276 |
| Knowing by Hand: Embodied Knowledge in Higher Education in the Disciplines of Art and Design | 1 |
2 |
4 |
1 |
3 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
17 |
| Lamenting Concrete and Coke: Paul Bowles and Brion Gysin on the Changing Spaces of Postcolonial Morocco | 4 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
8 |
0 |
23 |
| Landmarks: Navigating Spacetime and Digital Mobility | 2 |
102 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
3 |
3 |
125 |
| Law, Ethics and Reflexivity in Krzysztof Kieslowśki's Decalogue | 5 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
20 |
| Literature: Absurd Construct, or Mankind’s Saving Grace? | 0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
14 |
| Locke and the Problematic Relation between Natural Science and Moral Philosophy | 2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
10 |
2 |
1 |
1 |
19 |
| Logos and Science: Hide and Seek in God’s Universe Words and Meanings | 2 |
5 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
21 |
| Mahatma Gandhi’s Populistic Language and Its Effects in the Indian Political Sphere | 2 |
1 |
3 |
2 |
1 |
4 |
2 |
6 |
1 |
2 |
5 |
2 |
31 |
| Making “men see clearly": Physical imperfection and mathematical order in Ptolemy’s Syntaxis | 0 |
2 |
5 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
2 |
4 |
21 |
| Manliness Hanging in the Balance: Expressions of Gendered Behaiour in Classical Greek Literature | 3 |
5 |
3 |
5 |
4 |
3 |
5 |
2 |
5 |
5 |
7 |
4 |
51 |
| Materiality and Traditional Sustainability: Slow Food and the case of Building Lime in Architecture | 1 |
2 |
3 |
1 |
1 |
3 |
6 |
1 |
3 |
2 |
2 |
0 |
25 |
| Media and Scientific Risk: Moving Towards New Research Agendas through Fuller Definitions | 1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
13 |
| Memory Books in 19th-century Spain | 3 |
1 |
1 |
2 |
3 |
1 |
2 |
4 |
0 |
5 |
2 |
1 |
25 |
| Memory Transmission and Barthes’ Concept of Photography in The Emigrants by W. G. Sebald | 1 |
1 |
6 |
9 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
29 |
| Mimesis and World-building: Berger and Girard on the Sacred | 1 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
4 |
1 |
2 |
21 |
| Mothers and Mobile Phone Mast Risks: Parental Negotiation of Post-Normal Risk Technologies | 3 |
2 |
3 |
2 |
3 |
2 |
2 |
1 |
3 |
3 |
5 |
2 |
31 |
| Mr. Flower Power: Celebrating Linnaeus in 2007 | 1 |
0 |
1 |
3 |
2 |
0 |
1 |
7 |
1 |
4 |
4 |
4 |
28 |
| National Opera and the Creation of Historical Memory | 2 |
0 |
3 |
4 |
6 |
1 |
2 |
2 |
14 |
2 |
3 |
5 |
44 |
| Nordic Oddity: Putting Helsinki on the City-Break Map | 1 |
2 |
3 |
1 |
2 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
19 |
| On Descartes’s Conjecture That Yeast May Lay the Folds Of the Heart: The Role Of Ancient Intuitions In Descartes’s Rejoinder | 1 |
1 |
3 |
2 |
3 |
3 |
2 |
1 |
2 |
3 |
1 |
1 |
23 |
| Opening speech | 3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
14 |
| Optimizing Empathic Understanding in Human Inquiry, a Dialogical-Hermeneutical Approach | 0 |
1 |
0 |
1 |
0 |
0 |
9 |
5 |
1 |
1 |
1 |
0 |
19 |
| Persuading Necessity and Recognizing the Mean in the Timaeus | 1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
16 |
| Philipp Otto Runge, Herder and the Semiotic Language of Nature and Patriotism | 1 |
2 |
1 |
1 |
6 |
12 |
9 |
4 |
8 |
13 |
0 |
1 |
58 |
| Philosophy and Science: The Invention of Thought | 1 |
1 |
4 |
5 |
3 |
2 |
0 |
1 |
1 |
4 |
4 |
0 |
26 |
| Physical and Virtual Urban Landscapes. City Image Transformations on the Occasion of Great Events | 0 |
4 |
10 |
3 |
3 |
2 |
4 |
3 |
2 |
2 |
4 |
2 |
39 |
| Pierre Teilhard de Chardin’s Importance in the Development of Léopold Sédar Senghor’s Concept of the “Civilisation de l’universel" | 7 |
0 |
3 |
3 |
5 |
9 |
2 |
4 |
3 |
3 |
4 |
3 |
46 |
| Plagiarism: A Bi-National Examination | 1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
12 |
| Plato’s Science of Living Well | 1 |
1 |
0 |
7 |
41 |
1 |
0 |
2 |
0 |
5 |
4 |
4 |
66 |
| Poetical Mathematics and Mathematical Poetics: Reflections on the Romanian Poetic Language | 6 |
2 |
7 |
1 |
6 |
3 |
4 |
2 |
10 |
4 |
4 |
3 |
52 |
| Poetry and Philosophy in Lucian Blaga’s Works | 0 |
1 |
3 |
0 |
2 |
5 |
2 |
1 |
2 |
6 |
2 |
0 |
24 |
| Realism and Liberalism in the Naturalistic-Psychological Roots of Averroës Critique of Plato’s Republic | 0 |
0 |
0 |
2 |
2 |
1 |
1 |
4 |
2 |
1 |
3 |
2 |
18 |
| Reconstructing the Past: Memories of the Resistance in Italian Literature, Film and History | 0 |
4 |
2 |
2 |
5 |
4 |
3 |
3 |
2 |
2 |
1 |
3 |
31 |
| Reconstruction of an Epoch Based on L. von Sacher-Masoch's The Divorced Woman | 4 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
18 |
| Rediscovering Culture as a Source of Creativity and Innovation The Situation in Europe | 0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
6 |
| Renewal Revisited: The Rise and Demise of Large-Scale Housing Complexes | 1 |
0 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
4 |
2 |
23 |
| Requests for Public Housing: A Contribution to the Study of ‘Ordinary Writings’ in a Social Policy Context | 0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
11 |
| Romancing Freud--the Peculiar Dreams of Mr. Lockwood in Brontë’s Wuthering Heights | 11 |
11 |
8 |
30 |
25 |
12 |
22 |
13 |
17 |
7 |
13 |
16 |
185 |
| Romanians in the History of Europe. Syncretism, Synchronism, Synergy | 7 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
23 |
| Rough-hewn Men: Log Cabin Mythology in Presidential Autobiography | 0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
4 |
17 |
| Rousseau on the Nature of Nature and Political Philosophy | 1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
12 |
| Science and Religion: Yes, Virginia, There is a Tertium Quid | 1 |
0 |
3 |
1 |
1 |
2 |
1 |
76 |
21 |
4 |
4 |
1 |
115 |
| Serres's New Landscape for Knowledge | 0 |
2 |
1 |
2 |
3 |
1 |
2 |
6 |
2 |
2 |
6 |
2 |
29 |
| Shamanic Beginnings: Shadow and Soul Loss in Malraux’s The Temptation of the Occident | 2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
13 |
| Short Cuts: A Postmodern Analysis | 0 |
12 |
68 |
4 |
7 |
2 |
4 |
6 |
2 |
5 |
4 |
8 |
122 |
| Singing Fate: Representations of an Everlasting Present | 0 |
3 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
11 |
| Skepticism, Dogmatism and the Future of Liberalism | 1 |
4 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
18 |
| Social Amplification of Risk: News Media and the Emergence of a “Cancer Cluster" Narrative in Australia | 1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
7 |
| Sophistic Impressions of the Hermaphrodite as Dissident Intellectual Through Danilo Kis | 0 |
0 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
16 |
| Staging It: Bridging the Two Cultures? Mick Gordon, Paul Broks: On Ego | 4 |
4 |
4 |
3 |
3 |
33 |
62 |
1 |
3 |
4 |
3 |
9 |
133 |
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1 |
3 |
22 |
2 |
5 |
6 |
2 |
4 |
3 |
0 |
2 |
51 |
| Students’ Entrepreneurship Behaviour –Comparison of Six CEE Countries | 4 |
2 |
2 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
2 |
1 |
19 |
| Students’ perception about de-communization: the case of Romania | 5 |
1 |
1 |
18 |
2 |
5 |
0 |
2 |
0 |
1 |
3 |
0 |
38 |
| Stuff & Light: Paradoxes of Transubstantiation in Art and Poetry | 0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
11 |
| Symptomatology in Friedrich Nietzsche and René Girard: Demarcation, Illustration and Onto-aesthetical Consequences | 4 |
3 |
6 |
4 |
7 |
3 |
5 |
2 |
11 |
6 |
5 |
1 |
57 |
| Technics, Technology and the Para-Human | 5 |
3 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
7 |
1 |
1 |
26 |
| Technoscience, Neuroscience and the Subject of Politics | 2 |
2 |
0 |
4 |
1 |
2 |
4 |
1 |
1 |
3 |
1 |
3 |
24 |
| Telos and Determinism: Two Ways of Knowing | 0 |
1 |
5 |
2 |
2 |
3 |
4 |
1 |
2 |
7 |
7 |
2 |
36 |
| The American Cancer of Western Civilization According to Robert Aron and Arnaud Dandieu | 4 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
15 |
| The Bride in Ancient Greece: an Analysis through Wedding Compositions | 5 |
10 |
6 |
15 |
83 |
3 |
6 |
1 |
5 |
4 |
7 |
8 |
153 |
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3 |
4 |
2 |
3 |
7 |
1 |
5 |
3 |
4 |
1 |
0 |
34 |
| The Challenges of Turkish Democracy | 11 |
2 |
7 |
1 |
9 |
15 |
38 |
8 |
10 |
23 |
15 |
7 |
146 |
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3 |
2 |
3 |
2 |
6 |
5 |
8 |
5 |
4 |
7 |
6 |
55 |
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1 |
3 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
15 |
| The Concept of Hyperrealism in Cyberpunk Films. The Film The Matrix (1999): a Case Study | 22 |
21 |
25 |
40 |
58 |
20 |
42 |
55 |
61 |
67 |
33 |
20 |
464 |
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2 |
4 |
5 |
5 |
2 |
4 |
0 |
3 |
4 |
2 |
0 |
31 |
| The Cultural Struggle: Literacy and Propaganda in the Rural Areas of Post-war Soviet Moldavia (1945-53) | 1 |
1 |
0 |
2 |
9 |
3 |
1 |
1 |
2 |
4 |
4 |
4 |
32 |
| The European Union between Religious and Political Language | 2 |
4 |
2 |
5 |
1 |
1 |
1 |
2 |
6 |
2 |
4 |
3 |
33 |
| The Formation and Early Activities of the Council of Free Czechoslovakia | 0 |
6 |
3 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
4 |
3 |
27 |
| The Future American City and Suburban Chaos and Community | 0 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
11 |
15 |
19 |
55 |
| The Greek Invention of Anthropology: The Pre- and Pre-Pre-Socratics | 0 |
5 |
4 |
1 |
1 |
4 |
3 |
2 |
1 |
3 |
2 |
2 |
28 |
| The Haven of Difficult Discourse | 0 |
0 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
5 |
3 |
22 |
| The Hermeneutics of Myth | 13 |
15 |
9 |
31 |
14 |
13 |
13 |
31 |
137 |
10 |
24 |
13 |
323 |
| The Humanties as Life Sciences: The Role of Language, Discourse, and Narratives | 0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
5 |
| The Immortality of the Soul and the Origin of the Cosmos in the Phaedo | 1 |
1 |
3 |
0 |
2 |
0 |
0 |
3 |
4 |
1 |
0 |
3 |
18 |
| The Interference of Contraries: Pius Servien’s Case | 1 |
6 |
2 |
2 |
5 |
3 |
4 |
1 |
1 |
2 |
1 |
2 |
30 |
| The Interpretation of Finnish culture in the Slavic world seen through the examples of Kalevala Polish translations | 2 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
19 |
| The New Role of Fractal Mathematics in Creating Human Friendly Life-Extensions | 1 |
4 |
2 |
1 |
0 |
0 |
2 |
3 |
2 |
4 |
0 |
0 |
19 |
| The Polis Philosophers | 1 |
1 |
1 |
1 |
2 |
4 |
4 |
1 |
1 |
4 |
2 |
6 |
28 |
| The Symbol of the theatrical color costume | 25 |
172 |
24 |
22 |
43 |
26 |
38 |
20 |
22 |
33 |
22 |
23 |
470 |
| The Tragic Between Identity and Otherness | 2 |
1 |
0 |
0 |
4 |
3 |
4 |
0 |
1 |
1 |
0 |
0 |
16 |
| The Transformation of Literary Figures into Psychoanalytical Terms | 3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
18 |
| The Unknown Empress: Theodora As a Victim of Distorted Images | 7 |
9 |
34 |
26 |
12 |
10 |
10 |
5 |
5 |
4 |
4 |
1 |
127 |
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1 |
2 |
6 |
2 |
2 |
3 |
5 |
3 |
4 |
3 |
1 |
33 |
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2 |
3 |
1 |
6 |
3 |
13 |
2 |
1 |
1 |
0 |
2 |
35 |
| Transmitting (and Hiding) Knowledge in Ancient Greek Pharmaceutical Poetry | 2 |
2 |
2 |
2 |
0 |
2 |
1 |
6 |
4 |
4 |
1 |
2 |
28 |
| Two cultures but one epistemology: novels and empirical science | 0 |
1 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
4 |
1 |
2 |
18 |
| Urban Images and the Creative City | 5 |
0 |
2 |
7 |
6 |
1 |
5 |
4 |
5 |
1 |
0 |
4 |
40 |
| Utopian Literature, Critique and Educational Priorities | 3 |
3 |
3 |
3 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
23 |
| War, Bodies and Futurist Science in Enif Robert’s and Filippo Tommaso Marinetti’s Un ventre di donna | 3 |
5 |
5 |
6 |
4 |
7 |
3 |
6 |
3 |
5 |
2 |
3 |
52 |
| Whereto World Economy: The Situation in Europe | 0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
12 |
| Whose Hand is in the Cookie Jar and Just Whose Cookie is it? The Digital Age and the Conflict Between Privacy and Transparency | 0 |
2 |
2 |
2 |
2 |
0 |
4 |
3 |
1 |
4 |
3 |
4 |
27 |
| Why and How did Workers Write and Publish their Autobiographies in 19th-century Europe? | 3 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
16 |
| « Some Vanity of Mine Art » : Spectacular Science in The Tempest | 4 |
2 |
2 |
0 |
1 |
6 |
0 |
0 |
1 |
2 |
4 |
2 |
24 |
| ‘Call me not Lord for I am a Lady’ - Emperor Elagabalus and the Problem of Gender in the History of Cassius Dio | 16 |
12 |
6 |
8 |
21 |
5 |
13 |
3 |
10 |
7 |
6 |
2 |
109 |
| ‘The Kiss of Death’ : farewell letters from those condemned to death by firing squad in Civil War and postwar Spain (1936-51) | 2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
9 |
| “Eating Well" The New Materialisation of Ideas: Contemporary Art, Transforming Experience and Relational Aesthetics | 2 |
0 |
2 |
3 |
3 |
3 |
6 |
4 |
3 |
3 |
1 |
1 |
31 |
| “Ein Berliner" in America: Directing Approaches in Context | 2 |
2 |
4 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
4 |
23 |
| “Penetrating the Secret of the Real:" Perceptions of the Humanities and the Sciences in the Weltanschauung Discourse at the Fin de Siècle | 3 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
15 |
| “Transnational Xenophobia in Europe? Literary Representations of Contemporary Fears" | 4 |
3 |
2 |
5 |
2 |
5 |
6 |
2 |
0 |
3 |
1 |
2 |
35 |