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T1  - Montage in Russian Imaginism : Poetry, Theatre and Theory 
SN  -  /  
UR  - http://hdl.handle.net/10138/264695 
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A1  - Huttunen, Tomi 
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Y1  - 2013 
LA  - eng 
AB  - The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich's application of the principle in poetry was called "image catalogue", a radical poetic experiment in the spirit of both Walt Whitman and ... 
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KW  - 6122 Literature studies; Russian literature; imaginism; montage; Avant-garde (Aesthetics); Avantgarde; Theatre 
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ER  -